A Look Back on 2013

Joshua Peugh is the co-founder and artistic director of Dark Circles Contemporary Dance. Photo: Sergio Garcia

Joshua Peugh is the co-founder and artistic director of Dark Circles Contemporary Dance. Photo: Sergio Garcia

2013 was full of big surprises for me both personally and professionally.

First, my husband and I welcomed our first child, a baby girl named Evelyn, on June 1. (She already has perfect turn out.) My husband and I are also celebrating our fifth year as Dallas residents. This may not mean much to some people, but this is the longest we have ever stayed in once place. And in those five years we got married, got a dog (Cleveland), brought a house and had a baby. My, we have been busy!

Professionally, I am celebrating my fifth year as a dance instructor at Amanda Dalton School of Dance. Time really does fly when you are having fun. I also can’t believe I have been working on my blog for three years and in that time have written more than 150 posts. I would love to surpass that number in 2014. I am also fortunate to have an outlet for my dance writing with TheaterJones.com and WorldArtsToday.com.

I truly am grateful to live in a city that values the arts. New dance companies like Dark Circles Contemporary Dance and Avant Chamber Ballet were welcomed with opened arms by audiences this past year while established dance companies like Texas Ballet Theater and Dallas Black Dance Theatre continued to push boundaries and strengthen the art form.

DRB company member Megan Schonberg and guest artist Jamel White as the Sugar Plum Fairy and Cavailer. Photo: Courtesy of DRB

Dallas Repertoire Ballet company member Megan Schonberg and guest artist Jamel White as the Sugar Plum Fairy and Cavailer. Photo: Courtesy of DRB

But the city wouldn’t be the cultural mecca that it is today without the smaller local companies. My Nutcracker Roundup this year included more than 20 Nutcracker and Holiday performances. I was fortunate enough to review 5 of them.

LakeCities Ballet Theatre stood out for its use of live music; Texas Ballet Theater for its special effects and strong male dancers; Ballet Frontier of Texas for its simplicity; Ballet Ensemble of Texas for its pristine pointe work and uniformity; and Dallas Repertoire Ballet for its creative choreography and  musicality.

I did take a break from all the nuttiness by going to see Epiphany DanceArts’ heartfelt Christmas Memories production and Bruce Wood’s cabaret-inspired holiday show entitled Mistletoe Magic.

Another aspect of my job is interviewing choreographers from touring dance companies. I played it cool when I interviewed the legendary Paul Taylor and the new Alvin Ailey Artistic Director Robert Battle back in April, but the dancer in me was shaking in her dance shoes.

Paul Taylor Dance Company in Company B. Photo: Rex C. Curry

Paul Taylor Dance Company in Company B. Photo: Rex C. Curry

I also got to talk with Complexions’ co-founder Desmond Richardson who came to Dallas in March for TITAS’ highly anticipated Command Performance Gala. I even got to go backstage after the performance to meet Desmond face to face. (Getting back stage at the Winspear was like getting into the Pentagon. Even with an escort we had to go through multiple check points. It was totally awesome.)

For the first time ever dance dominated TITAS’ performance lineup. Companies including Stephen Petronio, Doug Varone, The Joffrey Ballet, Cedar Lake Contemporary Ballet, Grupo Corpo and Alvin Ailey American Dance Theater all got their chance to perform in the state of the art Winspear Opera House.

Cedar Lake Contemporary Ballet in Violet Kid. Photo by Juileta Cervantes

Cedar Lake Contemporary Ballet in Violet Kid. Photo by Juileta Cervantes

After reflecting on all the great performances from the last year I can’t wait to see what 2014 has in store!

And a big thank you to all my readers out there! I love writing for you and I plan to do a lot more of it. 🙂

Happy New Year!!! Keep Dancing!!!

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About kddance

I am a dance fanatic living in Dallas, TX. Not only do I teach dance but I also love writing about it. My love for dance started at the age of six when my mom signed me up for my first dance class. I have training in ballet, tap, jazz, lyrical, modern and acrobatics. In college I minored in dance and majored in journalism. I have had articles published in Dance Spirit, Dance Teacher and the Dance Council of North Texas' DANCE publication. Let me share my stories with you.
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