The Austin-based choreographer on her quest for cultivating home grown art and collaborating with Oklahoma’s Bell House Arts in this year’s Dallas DanceFest.
Dallas — Amy Diane Morrow is no stranger to the Dallas dance scene. In addition to having taught classes at Southern Methodist University, Texas Christian University and Texas Woman’s University, Morrow is also frequently in town teaching Gaga workshops, a movement language developed by Ohad Naharin of the Batsheva Dance Company. And last March Morrow made a big splash at Avant Chamber Ballet’s inaugural Women’s Choreography Project with her new piece, String Theory. Morrow fans will get another chance to see her work at the second annual Dallas DanceFest which takes place Sept. 4-6 at the Dallas City Performance Hall. Morrow will be presenting her trio Carry On, which she is doing in collaboration with Owasso, Oklahoma-based The Bell House Arts, Inc. (BHA).
Morrow describes Carry On as an autobiographical portrait that focuses on the weight of relationships and the distance within relationships as it pertains to family and friends. “At the heart of it Carry On is an autobiographical portrait that became a study on this portrait in relationship to two people, three people and a group of 20 people,” Morrow says. “I have restaged it several times on several different groups and now it has distilled back to a trio.” The piece also touches on the physical and emotional baggage we carry around with us.
Morrow says Carry On is also a reflection of her travels and the amount of stuff people try to carry through airport security. “Every time you go through TSA it is a reminder of the things that we carry and how stuffed and over packed we are. It got me thinking about how these things are somehow tied to security, memory, people and places.”
Morrow sees herself as a connector of people and places. After years of splitting her time between Texas and Tel Aviv, Israel, Morrow now resides in Austin where she will be joining the staff at the University of Texas’ Department of Theatre and Dance. The city is also home to her latest project, the TBXS Toolbox Series, which provides specialized workshops for creative artists to hone skills for their personal practice and expand their professional market. “I still travel and do residencies a lot, but my effort is really to bring the international collaborations, opportunities and experiences that I’ve had to my home state because I really believe in home grown art and building the local community from grass roots.” So far, TBXS has hosted seven workshops and has featured guest artists, including ARCOS Dance, Kira Blazek, Manuel Vignoulle and Jesse Zaritt.
While in Tulsa this past summer Morrow met BHA Founder Rachel Bruce Johnson and their collaboration and friendship grew from there. Morrow says, “The Bell House has become a really great umbrella for freelance artists to collaborate with Rachel. It’s her mission to provide these teaching and performance collaborative opportunities, and she is doing it.” Since joining BHA, Morrow has performed at the Fringe Fest Summer Stage in Tulsa, the Tulsa Ballet Studio K Series and will be a part of Dallas DanceFest 2015. Morrow notes that with the current shift in the industry away from traditional dance companies to more independent projects and opportunities, it’s no surprise that the number of these non-profit arts cooperatives has been growing throughout the region. “This is a big conversation I am having right now with others in the Austin dance community. Nowadays to be sustainable and to be able to keep putting out work you really need an alliance or collective to help you, and Rachel is doing that in her own way with BHA.”
Morrow is also a big advocate of dance festivals. In fact she first met her mentor Ohad Naharin while working at the American Dance Festival. “Festivals are where you network and grow, and it’s where the magic happens. The word festival is becoming to mean an efficient organization that provides the maximum amount of opportunities for the maximum amount of people. It’s really an umbrella for the artists and the community, and it’s definitely needed.” Morrow adds, “I think that festivals in the south and specifically in Texas will continue to grow over the years and I’m really excited to be a part of it.”
» The second Dallas DanceFest is Sept. 4-6. Performances will take place on Friday and Saturday night at 8 p.m. with the 2015 Dance Council Honors awards ceremony and performance showcase occurring on Sunday afternoon.
This profile was originally posted on TheaterJones.com.