Ballet Frontier of Texas brings one of ballet’s oldest and most popular productions to Fort Worth with its version of Giselle this weekend.
Fort Worth — One of the only pre-professional ballet companies in Fort Worth, Ballet Frontier of Texas (BFT) has blossomed over the last five years with its drive to expand its repertoire to incorporate more contemporary works by new and seasoned choreographers, while at the same time still paying homage to the classics such as Les Sylphides, The FireBird and this weekend, Giselle with performances that focus on authenticity both in character portrayals and choreography.
BFT Artistic Directors Chung-Lin and Enrica Tseng’s fondness for Giselle is just one of the reasons they chose it for their season closer. Enrica explains, “The choice of the repertoire is all about the dancers that are around us and we felt that the place, the time and the dancers and guest dancers, including Kathryn Boren (Giselle), Dan Westfield (Albrecht), Nathan Vendt (peasant pas de deux) and Hannah Wakefield and Elizabeth Villarreal (peasant pas de deux and Myrtha), make a great combination for this to happen right now.”
This two act romantic ballet was originally choreographed by Jean Carolli and Jules Perrot with music by Adolphe Adam. Today’s versions derive from revivals staged by Marius Petipa for the Imperial Ballet during the late 19th and early 20th centuries. The role of Giselle was created for Carlotta Grisi who was the only ballerina to dance it at the Paris Opera for many years. The famous Wilis (ghostly spirits of dead girls jilted on their wedding day) that appear in the second half of the show are led through a dance by their queen, Myrtha, which in BFT’s rendition will be performed by company members Wakefield (Saturday) and Villarreal (Sunday).
“We are so excited to have Hannah dance the role of Myrtha on opening night,” Enrica says. “The character requires a strong presence, technique and acting. BFT is very fortunate to have Hannah as part of the company as she has all those qualities.”
Growing up, Wakefield spent many summers attending ballet intensives with companies all across the United States, including Central Pennsylvania Youth Ballet, Texas Ballet Theater, Ballet West, Joffrey Ballet NYC, Tulsa Ballet and Gelsey Kirkland Academy. She earned a bachelor’s degree in ballet from Brigham Young University where she was also a principal dancer with Theatre Ballet. While at school Wakefield also had the opportunity to perform in operas and Broadway shows such as the Phantom of the Opera. She also participated in a study abroad program in Italy where she got to study the origins and pedagogy of ballet at La Scala and World Dance Movement.
Wakefield’s professional dance career includes Utah Regional Ballet where as a demi-soloist she performed in roles such as the Dewdrop Fairy in The Nutcracker, Little Cygnet in Swan Lake and Silver Fairy in The Sleeping Beauty. In addition to performing with BFT Wakefield also teaches jazz and ballet at the Ballet Center of Fort Worth.
“I am so blessed to be performing with Ballet Frontier of Texas,” says Wakefield who joined the company last June. “I truly love classical ballet and all the story ballets and so BFT is just what I was looking for in terms of repertoire.”
While Wakefield has performed in various story ballets throughout her career this will be her first time dancing a role in Giselle, a detail that led her to do extra research to help her get more of a feel for her role. “I watched a lot of different YouTube performances of Myrtha which helped me understand her personality. She is very playful and cute, but also very angry and quite bitter and if you look at the context of the story you can understand why. To me, it feels like she takes on the burdens of all the other Wilis and therefore is kind of like a mother to Giselle in the second act of the show.”
You can see BFT’s production of Giselle April 7-8 at the Fort Worth Community Arts Center’s Scott Theatre.
>This preview was originally posted on TheaterJones.com.