The Dance Council Honors has thankfully split from Dallas DanceFest and will return to its more intimate setting at Dallas Black Dance Theatre.
I know I am not the only person happy about the fact the Dance Council Honors(DC Honors) will no longer be squeezed into Dallas DanceFest (DDF). For the last few years the DC Honors has occurred in conjunction with DDF and unfortunately has suffered as a result with the main complaint being the length of each evening’s program.
The presentation of the awards also lacked the comradory and celebratory atmosphere that has always been a part of the DC Honors, which is why I am glad that the event has split from DDF and will be returning to Dallas Black Dance Theatre on Oct. 29 for some food, fun and fantastic dancing. And, of course, we will hear from this year’s DC Honorees, which include Kathy Chamberlain, Stephanie Rae Williams, Patty Granville, Alpana Kagal Jacob and Malana Murphy.
Over the last couple of decades, these incredible individuals have made huge strives to better our local dance community thanks to their passion, dedication, knowledge, cultural awareness and above all love for the art form of dance. Because God knows we are not in it for the money!
I know I will be there to watch Kathy Chamberlain as she receives the Mary Bywaters Award for her lifetime contribution to dance.
I met Kathy one day at Sandy’s Shoes and Dancewear back in the summer of 2009. I had just moved to Dallas from Cleveland and knew absolutely no one in the local dance community. She took me under her wing and she and I had multiple phone conversations about the ins and outs of the Dallas dance scene. She is the one who lead me to local dance writer Margaret Putnam. I started off by reading a lot of Margaret’s reviews, which at the time were published in the Dallas Morning News and TheaterJones.com (TJ). This eventually lead me to contact TJ where I have now been writing dance previews, Q&As and reviews for the last six years.
Kathy was ultimately the one who jump-started my career here in Dallas and I will forever be grateful to her. And her willingness to help me is also one of the things I like most about our local dance community. Although everyone is technically in competition with one another they are always willing to lend a helping hand and offer up support when needed. So, I recommend offering your support to the dance community by coming to this year’s DC Honors. Even if you don’t know any of the honorees you should still come. I did when I first moved to Dallas and it taught me a lot about the city’s dance culture and the wide range of work being made here as well as the wealth of talent being fostered in our city schools and studios. You should definitely check it out!
I have included the official press release below:
For Immediate Release:
WHAT: Dance Council of North Texas 2017 Honors
WHEN: Sunday, October 29, 3:00 P.M.
WHERE: Dallas Black Dance Theatre, 2700 Ann Williams Way, Dallas, TX 75201 in Dallas Arts District
Dance Council of North Texas is pleased to honor five people within the area dance community who have made a significant contribution to world of dance.
Kathy Chamberlain is receiving the Mary Bywaters Award, which recognizes a person who has made a lifetime and significant contribution to dance. Dance Council of North Texas is delighted to join with Chamberlain School of Ballet, (CSB) Plano, as itcelebrates its 40th Anniversary. Chamberlain School of Ballet is the supporting school for Chamberlain Performing Arts, a leading North Texas pre-professional dance company founded by Ms. Chamberlain. She received the prestigious Ford Foundation Scholarship for study at the School of American Ballet, NYC.
Stephanie Rae Williams is the recipient of theNatalie Skelton Awardhonoring a person who is currently performing. Ms. Williams was featured in Dance Magazine’s “On the Rise” in 2013. In 2005, she received the South Dallas Dance Festival Scholarship from DCNT. Stephanie was a Fellowship recipient at the Ailey School, a 2006 Youth America Grand Prix Winner as well as a 2006 Youth America Grand Prix Finalist. As part of DC Honors, Stephanie will perform My Funny Valentine, choreographed by Darrell Mourie. She appears through the courtesy of Dance Theatre of Harlem, NYC.
The Mary Warner Award for service in dance recognizes Patty Granville, who exemplifies
the individual whose vision is essential to the dance community. Ms. Granville has been the Director of the Garland Center for the Performing Arts since its opening in 1982. As one of the founders, she has served as producer for Garland Summer Musicals since 1983. In 2003, the Garland City Council unanimously voted to rename the Performing Arts Center to the Patty Granville Arts Center. Patty provides countless opportunities for performers, musicians and craftsmen to participate in musical theatre.
Larry White Educator Awardrecognizes Alpana Kagal
Jacob for her inspiring and innovative contributions to her students’ development. After her Arangetram and graduation, she has been teaching Bharata Natyam to young children and adults. Alpana has been a guest lecturer at both UNT and TWU and has served as choreographer and teacher for Dallas Theater Center Summer Workshop projects. Alpana has taught at Booker T. Washington High School for the Performing and Visual Arts, Brookhaven College and Richland College. She is a disciplined and loving teacher to all her students.
Buster Cooper Tap LegendAward celebrates the exemplary contributions of Malana Murphy to America’s original dance form: tap. Malana began her professional career at the age of 14 while performing in the production of Calling All Kids, choreographed by Gracey Tune. In addition to graduating from Booker T Washington High School for the Performing and Visual Arts, Malana has performed commercially and in industrials. Malana’s love for tap dancing has inspired her to share her passion and knowledge with students locally and across the United States. She is also the head of the local tap dance festival RIFF, which stands for Rhythm and Fusion Festival.
DBDT: Encore! will perform as well as Dance Council 2017 scholarship recipients. The opening number is generation# (sic) choreographed by Tammie Reinsch of Ballet Ensemble of Texas. Doug Voet of Uptown Theatre in Grand Prairie will serve as the event’s emcee with Dallas Black Dance Theatre veteran Nycole Ray providing production assistance. Reception, refreshments and a silent auction will complete the afternoon’s agenda.
$35 – ADULT
$30 – MEMBERS, Dance Council of North Texas
$20 STUDENTS, ages 13 through 18.
STUDENTS, ages 12 and under: Free when accompanied by an adult
And here is another profile on one of the local pre-professional ballet companies performing at Dallas DanceFest this weekend! This feature was originally posted on TheaterJones.com.
Ballet Ensemble of Texas Artistic Director Allan Kinize on the benefits of dance festivals for aspiring professionals and what the company has in store for Dallas DanceFest 2017.
Dallas — Formed in 2001 by Lisa Slagle, Ballet Ensemble of Texas’ (BET) goal is to present quality ballet performances for the local communities and to provide advanced ballet students with the opportunity to prepare for a career in dance. Over the last 15 years BET has done just that with its tight knit group of fiercely driven and gifted dancers and the company’s refreshing renditions of classic story ballets such as The Firebird, Coppelia, The Nutcracker, and Aurora’s Wedding. The company spends countless hours in the studio (Ballet Academy of Texas in Coppell) honing their musical aptitude, technical execution, stylistic versatility and performance quality, which typically result in packed performances throughout the year. Many of BET’s former dancers have gone on to dance professional with American Ballet Theater, Texas Ballet Theatre, Sarasota Ballet, Oklahoma City Ballet, Atlanta Ballet and Colorado Ballet, just to name a few.
For this year’s Dallas DanceFest (DDF), BET will be stepping outside its comfort zone slightly in Tammie Reinsch’s Generation#.Featuring the entire company, the work blends ballet, contemporary and modern movements with props, including oversized emojis created by Wendy Lamar, to tell a light-hearted tale of how modern technology is affecting the personal relationships among today’s youth. “Generation# is a fun-filled, but contemplative look at how all our ever evolving technology is affecting our lives, and specifically young lives,” says BET Artistic Director Allan Kinize.
Kinize has been an advocate for DDF from the beginning and BET has been fortunate to have presented work in three out of the last four events, including this year’s performance of Generation#. “As a director, I see many benefits in participating in these types of festivals. First and foremost such venues give our dancers another opportunity to show their talents to the viewing public. The dancers also get to see other companies perform, and they get the chance to meet those dancers in a supportive artistic setting.” He adds, “These festivals also give the choreographers of BET the opportunity to either choreograph a new work or to set something that deserves additional exposure.”
Kinize also notes that his dancers are always very enthusiastic about participating in DDF, and have expressed those thoughts to him this year and in the past. “DDF gives the dancers a chance to see what we are accomplishing and that of the other groups in the area. Also, performing in such a beautiful theater is a special bonus for them because the pieces look and feel professional and are managed by professionals.”
» BET will perform on Saturday, Sept. 2 at 8 p.m. at Moody Performance Hall, formerly Dallas City Performance Hall as part of DDF 2017.
» Dallas DanceFest is 8 p.m. Saturday, Sept. 2; and 3:30 p.m. Sunday, Sept. 3, at Moody Performance Hall in the Dallas Arts District. Performances are:
Dallas DanceFest has announced its 2017 line up which shows a lot of hometown pride.
Wow! It is hard to believe that this year marks the 4th installment of Dallas DanceFest (DDF) which was created in 2014 under the guidance of arts patron Gayle Halperin and the Dance Council of North Texas. It looks like the festival’s mission of presenting high caliber and well-rounded dance performances will continue this year with a program that features all the major local players as well as the largest showing of pre-professional companies to date and a handful of relatively unknown dance companies from around and outside the Metroplex.
Let’s start with the bigwigs in Dallas dance. For the fourth straight year Bruce Wood Dance Project, Texas Ballet Theater and Dallas Black Dance Theatre will be featured at DDF as well as their smaller counterparts DBDT: Encore! and the Texas Ballet Theater School.
We will also see pieces from some repeat dance companies, including Dark Circle Dance Company, Contemporary Ballet Dallas, Indique Dance Company, Southern Methodist University’s Meadows Dance Ensemble and Houston-based NobleMotion Dance.
DFF 2017 will also feature a number of first timers, including Danielle Georgiou Dance Group, Center for Ballet Arts, Impulse Dance Project, Uno Mas and Grandans. Southern Methodist University Meadows dance student’s Kat Barragan and Arden Leone will also be showcasing work for the first time at this year’s festival.
I am also pleased to see so many familiar pre-professional ballet companies on this year’s roaster, including Ballet Ensemble of Texas (Coppell, TX), Ballet Frontier of Texas (Fort Worth, TX), Chamberlain Performing Arts (Plano, TX), Dallas Ballet Company (Dallas, TX) Royale Ballet Dance Academy (Dallas, TX) and LakeCities Ballet Theatre (Lewisville, TX). I have seen these companies perform a variety of dance styles from classical and neo-classical to more contemporary and jazz movements and I am eager to see how these aspiring professionals handle the pressure of sharing the stage with the more seasoned artists on this year’s program.
We have also seen a surge in the number of dance festivals occurring around Texas over the last couple of years so, it didn’t surprise me to see the Rhythm and Fusion Festival and Wanderlust Dance Project in this year’s line up. If you’re interested in reading more about the rise of dance festivals in Texas then you should read Nichelle Suzanne’s 2015 article for Arts+Culture magazine entitled Talent, Training, Festival & More: Fueling Contemporary Dance in Texas.
The 2017 Dallas DanceFest will take place Sept. 2-3 at the Moody Performance Hall, formerly Dallas City Performance Hall. More information about the festival can be found on the Dance Council of North Texas website.
Coppelia at Ballet Ensemble of Texas. Photo: Cathy Vanover Photography
Ballet Ensemble of Texas gets ready to present George Skibine’s Coppelia at the Irving Arts Center this weekend.
Irving — Watching Ballet Ensemble of Texas (BET) as they prepared for their upcoming performance of Coppéliaat the Irving Arts Center this past weekend it was easy to see why BET is one of the most sought after pre-professional companies for young, aspiring dancers in the Metroplex. In addition to the company’s expansive dance curriculum, which includes rigorous training in classical, contemporary, modern and jazz techniques, the dancers are also being schooled in technical continuity and precision as well as artistic self-expression and character portrayal. These are the skillsets audiences have to come to expect from the company, and they were the main focus of criticism during last Saturday’s four hour Coppelia rehearsal at the Ballet Academy of Texas studio in Coppell.
“Hit your fifth,” rehearsal director Thom Clower calls out to Masumi Yoshimoto (Swanilda) during one of her many petite allegro jumping sequences in Act I. “More luxurious with the expression,” he says later as Yoshimoto executes a series of side bend stretches on pointe. “Feel the dilemma,” he shouts to Aldrin Vendt (Franz) as he tries to decipher his true feelings between his fiancée Swanilda and the mysterious girl in the window named Coppelia. Clower’s vibrant personality and positive teaching methods were well-received by the dancers as was evident through the razor sharp focus and high energy levels everyone maintained throughout rehearsal.
For those needing a refresher, Coppélia (1870) is a romantic comedy ballet originally choreographed by Arthur Saint-Leon with music by Leo Delibes. Most modern day productions are derived from the revivals staged by Marius Petipa and typically feature only two of the ballet’s three acts. Based on a story by E.T.A. Hoffmann entitled The Sandman, the ballet follows heroine Swanilda as she tries to win back her fiancée Franz who has fallen in love with a girl named Coppelia who is actually a doll owned by the mysterious Doctor Coppelius. Franz gets caught sneaking into Doctor Coppelius’ workshop and Swanilda comes to his rescue by deceiving the doctor into believing that she is his doll come to life. In the final act Swanilda makes amends with the doctor and a wedding celebrates ensures for Franz and Swanilda.
BET will be performing George Skibine’s version of Coppélia, which includes all three acts. Skibine was a former director of the Paris Opera Ballet and also the founder of Dallas Ballet along with his wife Marjorie Tallchief (sister of Maria Tallchief). Clower and BET Artistic Director Allan Kinzie both danced professionally under Skibine’s direction and guidance. Coppélia isn’t the first work of Skibine’s that Clower has restaged for BET. Two seasons ago he reworked Skibine’s The Firebirdon the company which was warmly received by both audiences and critics.
Clower’s strong rapport with the company makes for a very productive and positive environment for the dancers to work in. “He is just so easy to work with,” Yoshimoto says. “He is so fun and engaging and we really feed off his positive energy.” When asked about the notes she was giving during and after the first act Yoshimoto just smiles and says she doesn’t take the criticism personally. “I take the notes as new ways to help me grow as a dancer.”
I first saw Yoshimoto perform three years ago when she nailed the role of the Dew Drop Fairy in BET’s annual Nutcracker production. And while her technique and performance quality have grown over the years, the one thing that has remained the same is her ability to deliver technically consistent performances no matter what the part. In this case Yoshimoto’s unique abilities are well suited to the role of Swanilda. Her infectious stage presence and innate lyricism showed during the many gestural phrases in the first half as well as the less technical and more reactionary moments, such as when Swanilda catches Franz flirting with Coppelia and later when Franz calls off their engagement in front of the entire town.
Another dancer who has shown immense growth over the last couple of years is BET alum Aldrin Vendt. Gone are his boyish looks and leaner musculature and in their place a more toned and confidant leading man. His technique and body control has also improved, which he proved with his cleaner lines and sounder take offs and landings during his double tours and entrechats.
During a break in rehearsal I was surprised when Yoshimoto mentioned this was her first time playing a lead in a full-length ballet. She says the most challenging part of playing a lead in a full length ballet has been memorizing all of the choreography as well as building her stamina to keep up with all the dancing she is doing. When asked what she likes most about playing Swanilda Yoshimoto took a moment before replying, “I enjoy all the dancing and acting I get to do as well as all the playful pantomime my character gets to do.” Laughing a little she adds, “I see myself as a more reversed person so, it’s always fun when I get the chance to step outside myself and become someone completely different.”
Audiences will get two chances to see Ballet Ensemble of Texas’ presentation of Coppelia when it comes to the Irving Arts Center March 25-26.
Ballet Ensemble of Texas enchants audiences with its wonderfully musical and technically creative version of The Nutcracker in Irving.
Irving — Of the multiple pre-professional Nutcrackers I’ve been able to see this season, Ballet Ensemble of Texas’(BET) annual production of the holiday classic, which they performed at the Irving Arts Center last Saturday night, contained some of the most complex and inventive choreography thus far, particularly in the cultural dances in Act II. BET Director Allan Kinzie and his choreographic team, including company advisor Lisa Slagle, Tammie Reinsch and Allison D’Auteuil Whitfield did a commendable job of showcasing the company’s ever-growing technical proficiency, athletic fortitude and personal expressiveness through creative dance sequences jam packed with fast pointe work, intricate petit jumping sequences with changing epaulement and visually exciting movement contagions and formation changes. Add in the vibrant décor, jewel-encrusted costuming and some exuberant performances from local guest artists from Texas Ballet Theater (TBT), and BET has another successful Nutcracker production to add to their books.
There were some minor discrepancies between the first and second half of the show. Act I started on a slower note with some timing issues and fluctuating energy levels in the children’s dances in the party scene, but the show gained momentum during the battle scene and ended with a spectacular snow scene featuring BET company member Masumi Yoshimoto and TBT’s Brett Young in the coveted Snow Queen and King roles. The choreographers prevented overcrowding in the party scene with well-planned traffic patterns and minimal stage props. This in turn gave the well-played adult guests more room to waltz and the children more space to chasse around in a giant circle. And while occasionally musically out of sync during the adagio doll dance, viewers couldn’t miss the young girls’ beautiful presentation of the foot before each pique step and their high releves in the bourrees and soutenu turns.
Sheridan Guerin and Kinzie were both steadfast in their roles as Clara and Drosselmeyer. A former dancer with the Boston Ballet, Kinzie captivated audiences with his grandfatherly mannerisms and musical awareness when presenting Clara with her Nutcracker doll. Guerin drew us in with her angelic demeanor, but she held our attention with her clean lines and super-flexible feet, which were most pronounced when she executed an arabesque hold or bourrée step. One of the sweetest moments in the party scene came when Guerin and Kinzie fed off each other’s energy in one of the partner dances.
Yoshimoto and Young handled the complicated choreography in the Snow pas de deux with dignity and boundless energy. The movement showcased their expert facility and amazing body control through numerous assistedpirouettes, sustained arabesque balances, opposing body angles and no more than five press up lifts and shoulder sits. There were a few instances where the couple’s movement felt rushed especially in some of the assisted turns, but both dancers quickly adjusted their tempos to stay in time with Tchaikovsky’s driving score. The 16 snowflakes perfectly captured the nuances in the music with their springy footwork and sequential arm movements as well as their creative use of space and opposing rhythms.
The second half of the show was more consistent in terms of technique and performance quality and featured some exceptional dancing from certain company members and TBT guest artists Paige Nyman and Paul Adams as the Sugar Plum Fairy and the Cavalier.
Raquel Gamboa, Lisette Hotz, Hannah Menchu and Melynda Phillips performed the musical fan flicks and sharp leg lifts in the Spanish variation in perfect unison while Ryan Nemmers executed a series of double pirouettes and touren l’airs. The young men of BET which included Joseph Dang, Michael Fass, Nemmers, Adam Phillips and Akihiro Yoshimoto showed off their athletic dexterity and genuine charm in the widely popular Russian piece with multiple toe touches, double knee jumps and round houses. And while Helena Cerny and Phillips struggled with some of the hand holds and foot placements in the Dewdrop Fairy pas de deux, the couple pushed through to deliver some stunning moving pictures. Soloists Jordan Carter, Ana Denton, Menchu and Juliana Yu are proving themselves worthy of future leading roles with their exacting pointe work and beautifully controlled body positions in the Waltz of the Flowers.
BET is also the only pre-professional company that includes the Hungarian dance in its Nutcracker production. The repetitive rhythmic foot stomping and staccato arm placements were quite simple, but the steadily building tempo added a layer of anticipation of which none of the other dances could match.
The stars of the night were Nyman and Adams in the grand pas de deux. Both dancers are rising through the ranks of Texas Ballet Theater and have shown steady improvement both technically and artistically speaking over the last year. The couple executed the tricky counterbalance holds and multiple reverse promenades throughout the piece without a stumble. Adams pushed his stamina to the limit with consecutive turning jetes, double tours to the knee and multiple front and back cabrioles while Nyman performed the delicate pointe work and fast-paced fouette turns at the end with swan-like poise.
Get into the holiday spirit with any one of these Nutcracker productions, from the traditional to Nearly Naked, offer across Dallas-Fort Worth. Plus a list of other holiday dance.
It’s that time of year again! In between all the shopping, decorating and baking you have planned this holiday season make sure you set some time aside to check out one of the numerous Nutcracker productions being offered by many of the professional and pre-professional dance companies across Dallas-Fort Worth. For audiences west of the DFW Airport, Texas Ballet Theater will be running Ben Stevenson’s version of The Nutcracker for multiple weekends at Bass Performance Hall in Fort Worth. Additionally, Ballet Frontier of Texas and North Central Civic Ballet will be presenting their annual Nutcracker performances at Will Rogers Auditorium.
For residents north of Dallas there are myriad Nutcrackers to choose from, including versions by LakeCities Ballet Theatre in Lewisville, Festival Ballet of North Central Texas in Denton, and Allen Civic Ballet in Allen. The Eisemann Center for Performing Arts in Richardson, will soon be bursting with holiday cheer when Chamberlain Performing Arts, Dallas Repertoire Ballet, Royale Ballet Dance Academy, Tuzer Ballet and Collin County Ballet Theatre bring their Nutcracker productions here beginning Thanksgiving weekend and continuing till Christmas. The Irving Arts Center is another popular venue for local Nutcracker productions, including versions by Ballet Ensemble of Texas, International Ballet Theater and Momentum Dance Company. And in Dallas the Moscow Ballet returns to McFarlin Auditorium at Southern Methodist University with its rendition of The Great Russian Nutcracker, featuring new costumes and set designs.
You can even hear Tchaikovsky’s full Nutcracker played by the Dallas Symphony, without dancers, if you’re so inclined.
And if you are in need of a change this season, check out any number of the holiday dance shows being offered, including Avant Chamber Ballet’s Holiday Celebration at Dallas City Performance Hall; Epiphany DanceArts Tis the Season at the Eisemann; Texas Ballet Theater’s The Nutty Nutcracker at Bass Performance Hall; and even a burlesque show in Dallas aptly named Nearly Naked Nutcracker. A full list of all the Nutcrackers and holiday productions in the area can be found below.
Nov. 20-21 Ballet Frontier of Texas presents The Nutcracker with choreography by Chung-Lin Tseng at Will Rogers Auditorium in Fort Worth. $40-$50. Call 817-689-7310 or visit www.balletfrontier.org
Nov. 20-22 Moscow Ballet return to Dallas with its rendition of The Great Russian Nutcracker at Southern Methodist University’s McFarlin Auditorium. This year’s production features new costumes for Act I by designer Arthur Oliver and two new backdrops by Academy Award Nominee Carl Sprague. $28-$88. Call 800-745-3000 or visit www.tickmaster.com
Nov. 27-29 Chamberlain Performing Arts annual showing of The Nutcracker featuring New York City Ballet Principal’s Tiler Peck and Tyler Angle at the Eisemann Center for Performing Arts in Richardson. $15-$100. Call 972-744-4650 or visit www.eisemanncenter.com
Nov. 27-29 Momentum Dance Company brings the holiday tale to life with choreography by Jacquelyn Ralls Forcher at the Irving Arts Center. $15-$25. Call 972-252-2787 or visit www.irvingartscenter.com
Nov. 28-29 LakeCities Ballet Theatre celebrates its 25th annual production of The Nutcracker which features live music from Lewisville Lake Symphony and guest artists Sarah Lane of American Ballet Theater and Daniel Ulbricht of New York City Ballet. $20-$45. Call 972-317-7987 or visitwww.lakecitiesballet.org
Dec. 4-6 Dallas Ballet Company presents The Nutcracker featuring guest artists April Daly and Miguel Blanco from Joffrey Ballet at the Granville Arts Center in Garland. $23-$24. Call 972-205-2790 or visit www.garlandarts.com
Dec. 5 Local dancers Harry Feril (Bruce Wood Dance Project) and Yulia Ilina (Avant Chamber Ballet) join theInternational Ballet Theater for its production of The Nutcracker Sweet at the Irving Arts Center. $28-$38. Call 972-252-2787 or visit www.irvingartscenter.com
Dec. 5-6 Ballet Ensemble of Texas, under the direction of Joffrey alum Lisa Slagle, presents the holiday classic at the Irving Arts Center. $25-$30. Call 972-252-2787 or visit www.irvingartscenter.com
Dec. 5-6 Rowlett Dance Academy presents its 14th annual production of The Nutcracker at Garland High School. $10. Call 972-475-8269 or visit www.rowlettdanceacademy.com
Dec. 5-6 Royale Ballet Dance Academy offering of The Nutcracker at the Eisemann Center for Performing Arts in Richardson. $20-$25. Call 972-744-4650 or visit www.eisemanncenter.com
Dec. 5-6 North Central Civic Ballet’s rendition of The Nutcracker at the Will Rogers Auditorium in Fort Worth. $30. Visit www.nutcrackertickets.com
Dec. 5-10 New York City Ballet brings George Balanchine’s The Nutcracker to the big screen in various movies across the DFW Metroplex. $16-$18 Adult. Visit www.fathomevent.com
Dec. 11-27 Texas Ballet Theater takes the stage with Ben Stevenson’s version of The Nutcracker at Bass Performance Hall in Fort Worth. Call 877-828-9200 or visit www.texasballettheater.org
Dec. 11-13 Dallas Repertoire Ballet brings its rendition of the beloved holiday tale to the Eisemann Center for Performing Arts in Richardson. $22-$42. Call 972-744-4650 or visitwww.eisemanncenter.com
Dec. 12 Colleyville Ballet’s production of The Nutcracker for one-night only at the Irving Arts Center. $25-$30. Call 972-252-2787 or visit www.irvingartscenter.com
Dec. 12-13 Festival Ballet of North Central Texas showing of The Nutcracker at Texas Woman’s University, Margo Jones Performance Hall in Denton. $11-$36. Call 940.891.0830 or visit www.festivalballet.net
Dec. 19-20 Tuzer Ballet presents The Nutcracker with guest artists Rie Ichikawa (Boston Ballet) and Zack Grubbs (Cincinnati Ballet) at the Eisemann Center for Performing Arts in Richardson. $15-$50. Call 972-744-4650 or visitwww.eisemanncenter.com
Dec. 19-20 The Allen Civic Ballet presents its annual production of the holiday classic with live musical accompaniment by the Allen Philharmonic Chamber Orchestra at the Allen High School Performing Arts Center in Allen. $15-$25. Visit www.allencivicballet.org/nutracker
Dec. 19 The Art Ballet Academy presents The Nutcracker at Mansfield ISD Center for the Performing Arts, Mansfield. $16. Visit www.abacademy.com
Dec. 22-23 Collin County Ballet Theatre’s annual production of The Nutcracker features live music from Plano Symphony Orchestra at the Eisemann Center for Performing Arts in Richardson. $22-$77. Call 972-744-4650 or visitwww.eisemanncenter.com
OTHER HOLIDAY DANCE
(including non-traditional takes on The Nutcracker)
Nov. 19 Avant Chamber Ballet returns to White’s Chapel United Methodist Church in Southlake with its holiday production of Nutcracker: Short and Suite. This one-act Nutcracker presented by Apex Arts League includes new choreography by Katie Cooper and music by Tchaikovsky. $15-$20. Call 800-481-8914 or visit www.apex-arts.org
Nov. 27-29 The Dallas Symphony Orchestra plays Tchaikovsky’s complete The Nutcracker (no dancers), and featuring the Children’s Chorus of Collin County, at the Meyerson Symphony Center, Dallas. Call 214-692-0203 or visit www.mydso.com
Nov. 27-Dec. 27 MBS Productions presents its annual hit The Beulaville Baptist Book Club Presents a Bur-Less-Q Nutcracker, in which a church has to do a last minute substitution of its dancers for The Nutcracker, at the Addison Theatre Centre’s Studio Theatre. $29. Call 214-477-4942 or visit www.mbsproductions.net
Dec. 6 8&1 Dance Company closes its third season with In The Spirit, featuring live music and heart-warming chorography at the Quixotic Word in Dallas. Visit www.8and1dance.com
Dec. 6 Dallas Youth Ballet presents a Rockefeller Christmas Spectacular at Dallas City Performance Hall with special guest Arron Scott from American Ballet Theatre. $20-$75. Visitwww.parkcitiesstudios.com
Dec. 10 Avant Chamber Ballet’s Holiday celebration at Dallas City Performance Hall incudes Katie Cooper’s Sleigh Ride and Nutcracker: Short and Suite. $20-$30. Visit www.ticketdfw.com
Dec. 11-12 Bruce Wood Dance Project presents a Christmas Cabaret benefit with Broadway stars Aaron Lazar, Liz Callaway and Joseph Thalken, at the BWDP Studio, 3630 Harry Hines Boulevard, Suite 36, Dallas. $350-$1,000. Call 214-428-2263 or visit www.brucewooddance.org
Dec. 12 Ballet Concerto presents its annual A Holiday Special at Will Rogers Auditorium in Fort Worth. The program includes Winter Wonderland, The Princess and the Magical Christmas Star, O Holy Night and A Cool Yule. $8 for daytime performances and $12-$25 for the evening performance. Call 817-738-7915 or visit www.balletconcerto.com
Dec. 12 Contemporary Ballet Dallas offers their spin on Charles Dickens’ classic tale with Boogie Woogie Christmas Carol at McFarlin Memorial Auditorium on the Southern Methodist University campus. $18-$30. Visitwww.contemporaryballetdallas.com
Dec. 18 Texas Ballet Theater brings The Nutty Nutcracker, its PG-13 spoof of The Nutcracker, to Bass Performance Hall for one night only. $40-250. Call 877.828.9200 or visit www.texasballettheater.org
Dec. 18-19 Epiphany DanceArts celebrates the holiday season with its production of Tis the Season at the Eisemann Center for Performing Arts in Richardson. $17-$27. Call 972-744-4650 or visit www.eisemanncenter.com
Dec. 19 Broads & Panties presents Nearly Naked Nutcracker: A Burlesque Ballet featuring aerial performances, circus arts, ballet and burlesque at Trees in Deep Ellum. $20-$44. Visit www.treesdallas.com
Dec. 19-20 Denton City Contemporary Ballet presents A Gift for Emma at Margo Jones Performance Hall at Texas Woman’s University, Denton. $15-25. Call 940-383-2623 or visit www.dentoncitycontemporary.org
Dec. 19-20 ImPULSE Dance Project celebrates the season with Snow at the Medical Center of Lewisville Grand Theater. Program includes works by Artistic Director Anastasia Waters and company members Krista Langford and Kristin Daniels. $17. Visit www.impusedanceproject.org
The second annual Dallas DanceFest promises more variety and exceptional dancing from individuals and groups throughout the region.
Dallas – The perception of dance in Dallas has changed dramatically over the last five years largely due to the development of the Dallas Arts District; the rise in the number of professional dance companies based in the city; the restructuring of veteran dance groups like Texas Ballet Theater and Dallas Black Dance Theatre; and the creation of local dance festivals, including Rhythm In Fusion Festival (RIFF) and Dallas DanceFest (DDF). All of these factors are helping to transform Dallas into a grand destination for dance. Keeping this in mind the Dance Council of North Texas (DCNT), in partnership with the City of Dallas Office of Cultural Affairs, is planning to deliver more vitality, diversity and excellence in dance with the second annual DDF which takes place September 4-6, 2015 at Dallas City Performance Hall. This prestigious event features performances on Friday and Saturday evenings at 8:00 p.m. and concludes Sunday afternoon with the Dance Council Honors.
The impact of the festival isn’t just felt around the Dallas-Fort Worth Metroplex but across the region as well. Houston-based METdance (formerly Houston Metropolitan Dance Company), an original participant in the Dallas Morning News Festival, was disappointed when that festival disbanded in 2004 as it had looked forward to performing for Dallas audiences. But artistic director Marlana Doyle says, “We were grateful to be a part of DDF last year and had the thrill of enjoying the Dallas audiences and arts community in such an amazing venue once again. METdance appreciates the efforts of the Dallas Dance Council and looks forward to celebrating the arts in Texas.”
Kimi Nikaidoh, artistic director of Bruce Wood Dance Project here in Dallas, adds, “Given the all-consuming nature of running an arts organization, it’s impossible to see what all of the many other groups in the area are accomplishing. Dallas DanceFest brings us all out of our respective “workshops” and gives us the chance to be inspired and challenged by each other.”
Curated by top dance professionals Lauren Anderson, Fred Darsow, Bridget L. Moore and Catherine Turocy, DDF 2015 will feature 19 exceptional artists and companies from all across the region including – Houston, Austin, Oklahoma, Alabama, and the Dallas-Fort Worth Metroplex. Audiences can expect each performance to be a unique and thrilling display of dance styles including – classical ballet, modern, tap, hip-hop, traditional Indian dance and Ballet Folklorico. The programs will also feature performances by well-known and beloved Dallas institutions such as Dallas Black Dance Theatre and Bruce Wood Dance Project along with some new names including the Dallas Cowboys Rhythm & Blues Dancers.
“It was incredible to see such a tremendous response to DDF 2014,” says DCNT President Kirt Hathaway. “The Dance Council made the decision to re-implement this wonderful dance event after it had sat idle for so many years. With the inclusion of the Dance Council Honors, DDF has immediately become one of DCNT’s marquis events. Producing such a wonderful weekend of dance would not have been possible if the organization had not experienced such growth over the past several years. It truly shows that there is a great commitment by the board and staff to support dance in North Texas and beyond. This year promises to be even more exciting.”
This year’s participants include:
Ballet Ensemble of Texas (Coppell, TX) – Formed in May 2001 under the leadership of Lisa Slagle, the company’s goal is to present quality ballet performances for the local communities and to provide advanced ballet students with the opportunity to prepare for a career in dance. It is the official company of the Ballet Academy of Texas.
Bell House Arts, Inc. (Owasso, OK) – Founded by Rachel Bruce Johnson, The Bell House is a collaborative dance and art cooperative dedicated to creating opportunity for artistic exchange. At The Bell House, we are interested in the collaboration of ideas, people and movement language that challenge the status quo and conventional ways of making art by elevating art as a process. Its fosters meeting points for artistic connection between people rather than elevating the art as product in order to activate the transformative nature of movement that can be experienced both in the practice, performance and witness of dance.
Booker T. Washington High School for Performing and Visual Arts (BTWHSPVA) Repertory Dance Company I & II (Dallas, TX) – BTWHSPVA is “the cradle of the Dallas Arts District.” In 2015, the school was awarded the Texas Commission of the Arts Medal of Honor for exemplary training in Arts Education. The department’s philosophy is to provide a broad dance education that challenges the students artistically, intellectually and physically and to prepare qualified students for collegiate and professional careers in dance and related professions.
Bruce Wood Dance Project (Dallas, TX) – BWDP was launched in 2011 to champion the vision, leadership and artistry of nationally acclaimed Texan dance-maker Bruce Wood. BWDP picked up where the successful Fort Worth-based Bruce Wood Dance Company left off. Under Wood’s direction the company produced six word premieres and a TITAS Presents Commission for Command Performance Gala. Currently in its fifth season the company is now under the direction of Kimi Nikaidoh after Wood’s passing in May 2014.
Chamberlain Performing Arts (Plano, TX) – Established in 1984 by Artistic Director Kathy Chamberlain as a student ensemble dedicated to providing students a stepping stone to professional dance careers. Chamberlain is dedicated to serving North Texas and the surrounding community by providing professional quality performances and outstanding outreach programs. The company takes great pride in the ongoing efforts to expand its cultural diversity through performance collaborations.
Dallas Black Dance Theatre (Dallas, TX) – Founded in 1976 by Ann Williams, DBDT consists of 12 full-time dancers performing a mixed repertory of modern, jazz, ethnic and spiritual works by nationally and internationally recognized choreographers. Over the years the company has grown from a community-based, semi-professional organization to a fully-professional dance company that is renowned in the U.S. and is noted for its rich cultural diversity, history of inclusion and high-level of artistic excellence in contemporary modern dance and educational programs
Dallas Black Dance Theatre II (Dallas, TX) – This semi-professional company created by Dallas Black Dance Theatre Founder Ann Williams in 2000 consists of eight aspiring artists from around the nation. Under the guidance of Nycole Ray, DBDT II provides an opportunity for young artists to develop their dance skills while serving the Dallas/Fort Worth community and touring across the nation. Going into its 16th season performing works by recognized and emerging artists, DBDT II performs a diversified repertoire of modern, jazz, African, lyrical and spiritual works.
Dallas Cowboys Rhythm & Blues Dancers (Irving, TX) – Founded in 2009, DCRB is a high-energy co-ed hip hop dance team and drum corps. Lead by Jenny Durbin Smith DCRB brings an innovative, unique and exciting element to the Cowboys legendary game-day entertainment line-up. The dance teams dynamic routines feature breakdancing and hip hop-based movement requiring both strong musicality and level of dance ability. Presented by Miller Lite, DCRB was conceptualized under the direction of Dallas Cowboys Executive Vice President of Brand Management Charlotte Anderson and is the first and only entertainment concept of its kind in the National Football League.
Dark Circles ContemporaryDance (Dallas, TX) – Originally formed in Seoul, South Korea by Joshua L. Peugh and Cho Hyun Sang, Peugh started the USA branch of the company in 2013 bridging the gap between East and West. DCCD is dedicated to bringing the progressive work of international choreographers and dancers to a worldwide audience. It strives to educate the public on the power of movement in communicating ideas.
AJ Garcia-Rameau (Austin, TX) -AJ Garcia-Rameau is an independent contemporary ballerina based in Austin. AJ trained at Houston Academy of Dance and Austin School of Classical Ballet. She received additional training under scholarship with Alvin Ailey School, Joffrey Jazz/Contemporary and Complexions Contemporary Ballet. AJ earned a BS degree in Chemical Engineering and Dance minor from the University of Texas. She has performed with Exclamation Dance Company, Austin Classical Ballet and BHumm Dance Company.
Houston Repertory Dance Ensemble (Houston, TX) – The ensemble is a sponsored project of Fractured Atlas, a non-profit arts service organization, and is led by Artistic Director Amy Blake. This ensemble was designed for the dancer seeking collaboration with exemplary worldwide professionals in the industry to help them obtain greater levels of achievement in the arts through classical training in ballet, jazz, modern and contemporary. The ensemble provides dancers with a positive working environment and opportunities for master classes, private coaching, YAGP participation and multiple international showcases and performance venues.
METdance (Houston, TX) – Founded in 1995, Houston Metropolitan Dance Center Inc. strives to educate and revitalize a passion for dance through the finest instruction and performance. Under the direction of Marlana Doyle MET Dance Company has performed throughout the United States in dozens of theaters receiving high acclaim, performing works by some of the most influential and talented choreographers of our time. The company is the sister organization to the MET Dance Center. Mosaic Dance Project of Dallas (Dallas, TX) – Created in 2014 by Giovanna Godinez Prado, Mosaic Dance Project’s mission is to create, educate and inspire individuals that desire to grow not only as dancers, but as artists as well, along with our cultural and ethical awareness and values.
Natyananda: Joy of Dance (Birmingham, AL) – Founded in 1978 by Sheila Rubin, Natyananda performs both traditional and original choreographic works in the classical Bharatanatyam style of Southern India. Through student, professional and guest artist presentations Natyananda promotes understanding of universal artistic and cultural themes while showcasing the rich and unique heritage of Alabama’s Asian Indian-American community.
NobleMotion Dance (Houston, TX) – NMD was co-founded by Andy Noble and Dionne Sparkman Noble in 2009. Over the last five years it has distinguished itself as one of Houston’s most important dance companies. NMD brings a fresh perspective to their community with its mission of integrating technology and dance, and is a Resident Incubator at the Houston Arts Alliance and is currently on the Texas Commission on the Arts (TCA) touring roster.
LaQuet Sharnel Pringle DDF 2015 commissioned premiere(Austin, TX) – A Booker T Washington HSPVA alum, Pringle attending the North Carolina School of the Arts before making her Broadway debut in 2005 in Sweet Charity with Christina Applegate and Dennis O’Hare. She has also performed in productions of The Lion King and Memphis. Today, Pringle is an adjunct professor at Texas State University teaching Jazz Dance in the Musical Theater Department. She is also the artistic director and founder of Fearless Young Artists (FYA) and was the headliner of Dance Planet 19.
Rhythmic Souls (Dallas, TX) – This small company if wicked fierce rhythm tapper is captivating local audiences with their unique blend of style, charisma, innovative choreography and rapid-fire footwork. The company is on the cutting-edge of dance choreography with cross-genre repertoire that infuses rhythm tap dance with body percussion, sand dancing, contemporary movement, flamenco, swing dance and anything else that might lend itself to their rhythmic percussion. The company strives to bring the spirit of tap dance back to the stage and continue the legacy of an American art form.
Southern Methodist University Meadows School of the Arts Dance Division (Dallas, TX) – The SMU Division of Dance offers both conservatory dance instruction and a liberal arts education. The dance program develops disciplined, versatile artists through professional training in ballet, modern and jazz techniques as well as theory. Undergraduates can earn a B.F.A. in Dance Performance or a minor in Dance Performance. Students perform masterworks of the great choreographers of the 20th century as well as works by contemporary masters.
Texas Ballet Theater School (Fort Worth, TX) – Training the next generation of dancers and arts patrons is the mission of TBT Schools. Starting with the very young, we nurture aspiring artists to discover their greatest potential and to develop a love of movement, a passion for creativity and an appreciation for the beauty and athleticism of classical dance.
Tickets for DDF 2015 available August 1 through TICKETDFW: online at www.TICKETDFW.com, by phone (214) 871-5000, or in person at the box office 2353 Flora St, Dallas, TX 75201.
No matter where you live there is a Nutcracker performance waiting for you. Here’s a list of North Texas Nuts, plus other holiday dance.
From the big-budget dance companies such as Texas Ballet Theater and Moscow Ballet to the smaller, community-based companies, there is an enchanting Nutcracker performance for everyone to see. For those of you living North of Dallas there is the Allen Civic Ballet, Festival Ballet of North Central Texas in Denton and LakeCities Ballet Theatre in Lewisville. For audiences in the Richardson and Plano area the Eisemann Center for Performing Arts is hosting multiple Nutcracker performances the next two months, including Chamberlain Performing Arts, Dallas Repertoire Ballet and Tuzer Ballet. For Garland residents there is Dallas Ballet Company’s annual production at the Granville Arts Center and for Irving patrons Ballet Ensembles of Texas’ showing of the holiday classic at the Irving Arts Center. If you prefer live music, check out LakeCities Ballet Theatre, Allen Civic Ballet and Collin County Ballet Theatre’s Nutcracker productions. For those looking for something a little different there’s 8&1 Dance Company’s In The Spirit and Ballet Concerto’s Holiday Special.
Full list and ticket information below:
Ballet Frontier of Texas presents The Nutcracker with choreography by Chung-Lin Tseng at Will Rogers Auditorium in Fort Worth. Tickets $40-50. Call 817.689.7310 or visitwww.balletfrontier.org
Moscow Ballet return to Dallas with its rendition of The Great Russian Nutcracker at Southern Methodist University’s McFarlin Auditorium. Tickets $28-88. Call 800.745.3000 or visit www.tickmaster.com
Colleyville Ballet’s production of The Nutcracker for one-night only at the Eisemann Center for Performing Arts in Richardson, TX. Tickets $35-40 Call 972.744.4650 or visitwww.eisemanncenter.com
The Angelika Film Centers in Dallas and Plano screen Getting to The Nutcracker, a documentary about what it takes to produce a production of the Nut, at 2 p.m. in both locations. www.angelikafilmcenter.com
Chamberlain Performing Arts annual showing of The Nutcracker featuring New York City Ballet Principal’s Maria Kowroski and Tyler Angle at the Eisemann Center for Performing Arts in Richardson, TX. Tickets $12-100. Call 972.744.4650 or visit www.eisemanncenter.com
Nov. 28-Dec. 27
Texas Ballet Theater takes the stage with Ben Stevenson’s version of The Nutcracker, with the same extravagant sets and effects that we saw last year. Call 877.828.9200 or visit http://www.texasballettheater.org
Nov. 28-Dec.7 at the AT&T Performing Arts Center, Winspear Opera House
Dec. 12-27 at Bass Performance Hall, Fort Worth
The Nutty Nutcracker is Dec. 19 at Bass Performance Hall
LakeCities Ballet Theatre’s annual production of The Nutcracker features live music from Lewisville Lake Symphony and guest artists Sarah Lane of American Ballet Theater and Daniel Ulbricht of New York City Ballet. Tickets: $20-45. Call 972.317.7987 or visitwww.lakecitiesballet.org
Dallas Ballet Company celebrates its 28th annual performance of The Nutcracker featuring guest artists April Daly and Miguel Blanco from Joffrey Ballet at the Granville Arts Center in Garland, TX. Tickets: $23-24. Call 972.205.2790 or visit www.garlandarts.com
North Central Civic Ballet’s rendition of The Nutcracker at the Will Rogers Auditorium in Fort Worth. Tickets: $30. Visit www.nutcrackertickets.com
Ballet Ensemble of Texas presents the holiday classic with guest artist Dallas Blagg and Gabriela Gonzalez from Tulsa Ballet at the Irving Arts Center. Tickets: $25-30. Call 972.252.2787 or visit www.irvingartscenter.com
Rowlett Dance Academy presents its version of The Nutcracker at Garland High School. Tickets $10. Call 972.475.8269 or visit www.rowlettdanceacademy.com
Royale Ballet Dance Academy offering of The Nutcracker at the Eisemann Center for Performing Arts in Richardson, TX. Call 972.744.4650 or visit www.eisemanncenter.com
Dallas Repertoire Ballet brings its rendition of the beloved holiday tale to the Eisemann Center for Performing Arts in Richardson, TX. Tickets: $15-50. Call 972.744.4650 or visit www.eisemanncenter.com
Festival Ballet of North Central Texas showing of The Nutcracker at Texas Woman’s University, Margo Jones Performance Hall in Denton, TX. Tickets: $11-36. Call 940.891.0830 or visit www.festivalballet.net
Tuzer Ballet presents The Nutcracker at the Eisemann Center for Performing Arts in Richardson, TX. Tickets: $15-50. Call 972.744.4650 or visit www.eisemanncenter.com
The Allen Civic Ballet presents its annual production of the holiday favorite with live musical accompaniment by the Allen Philharmonic Chamber Orchestra. Allen High School Performing Arts Center in Allen TX. Tickets: $15-30. Visitwww.allencivicballet.org/nutcracker
Colin County Ballet Theatre’s annual production of The Nutcracker features live music from Plano Symphony Orchestra at the Eisemann Center for Performing Arts in Richardson, TX. Tickets: $32-52. Call 972.744.4650 or visitwww.eisemanncenter.com
Other Holiday Dance
Denton City Contemporary Ballet presents A Gift for Emma at Krum High School Performance Center in Krum, TX. Tickets: $12-18. Visit www.dentondance.com
8&1 Dance Company’s annual In The Spirit holiday celebration at the Quixotic Word in Dallas. Visitwww.8and1dance.com
Ballet Concerto presents its annual A Holiday Special, with school performances at 10:30a.m. and 12:15p.m., and public performances at 7p.m. at Will Rogers Auditorium in Fort Worth. Tickets: $5-20. Call 817.738.7915 or visitwww.balletconcerto.com
Indique Dance Company co-founder Sarita Venkatraman talks about the city’s growing Indian dance community and partaking in the reinvigorated Dallas DanceFest this weekend.
Dallas — From far away the Dallas dancescape appears to consist mostly of ballet and modern dance companies, but if you look closer there are also several cultural dance groups pushing their way to the forefront, including classical Indian dance group Indique Dance Company. Formed in 2008 by Sarita Venkatraman, Shalini Varghese, Latha Shrivasta, Anu Sury, Kruti Patel, Bhuvana Venkatraman and Shilpi Mehta, Indique Dance Company fuses Indian classical, folk and modern dance styles with contemporary themes to create an enjoyable and enlightening cultural experience.
And through its collaboration with the Indian Cultural Heritage Foundation (ICHF), the company has had the chance to perform in some of the most popular venues in the Dallas Arts Districts, including Klyde Warren Park, the Crow Collection of Asian Art and Dallas City Performance Hall. “We are so thankful for all the opportunities Dallas has provided for Indique,” Venkatraman says. “Over the last six years we have been welcomed by both Indian and non-Indian audiences which has just been incredible.”
For Venkatraman dance has always been a calling. “Growing up in India my Dad was really into Indian classical music so I was exposed to the arts at a very young age. I joined a dance school in Mumbai at the age of 10 and have been dancing ever since.” Under the tutelage of Guru Shri Mani, Venkatraman began her Bharatanatyam dance training and after a couple of years moved on to learn Kathak from Smt. Guru Asha Joglekar. “In Sanskrit, guru means teacher and becoming a teacher is more of a calling than a profession. A teacher guides a student towards a margam or path. Some students choose to perform an Arangetram, also known as ascending the stage, which should not be considered a graduation performance but rather a beginning.”
Even moving to Dallas in 1995 to work on her doctorate in Physics at the University of Texas at Dallas couldn’t deter Venkatraman from continuing her Bharatanatyam training. Taking a friend’s suggestion Venkatraman went to take class at Arathi School of Dance where she met Guru Smt. Revathi Satyu. “My Guru Revathi Satyu is an amazing individual. As a guru she has taught me to love and appreciate the art not just as a student but also as a teacher. She is extremely patient, always smiling and most importantly always willing to share the art wholeheartedly.” Venkatraman has been teaching at Arathi for several years and her students have performed throughout the DFW area.
Venkatraman adds that if it wasn’t for Satyu Dallas audiences would know very little about Indian dance and the Indian culture. “Revathi is a pioneer in bringing the art of Bharatanatyam to Dallas. She started the Arathi School of Dance in Dallas in 1980 and has graduated over a 100 students. She has been responsible for spreading the awareness of Indian classical dance among Indian and non-Indian audiences. Through workshops, presentations and performances she continues to touch more and more people in the DFW metroplex.”
Since its conception, Indique Dance Company has presented several productions, including Roots, Maa: The Many faces of Motherhood and Jeeva: Synergy in Nature. The company will present a dance from Jeeva: Synergy in Nature called Thillana at the inaugural Dallas DanceFest happening this weekend at DCPH. The three-day event is being put on by the Dance Council of North Texas. Choreographed by Shalini Varghese and Bhuvana Venkatraman with music by Indian Rock band AGAM, Thillana features quick foot work, complex rhythms and intricate body poses. “Thillana is a classical Indian dance that has no storytelling. It’s a very happy, brisk dance that involves a lot of complex foot work and body movements.”
And while Dallas DanceFest will be the first time for many local dance companies to perform in the two-year-old City Performance Hall, that is not the case for Indique Dance Company who just performed there two weeks ago. “The DCPH is one of our favorite in-door performance spaces. The intimate setting is something we really enjoy. It makes it easier for us to have a conversation with the audience.”
» Indique Dance Company will perform at the Friday night showcase, 8 p.m. Aug. 29, at Dallas City Performance Hall. The other companies performing Friday are: Dallas Ballet Company, Ewert & Company, Rhythmic Souls, Dallas Black Dance Theatre II, Dark Circles Contemporary Dance, Texas Ballet Theater, Southern Methodist University Meadows Dance Ensemble, Dallas Black Dance Theatre.
» Companies performing Saturday are: Chamberlain Performing Arts, Chado Danse, Houston METdance, Avant Chamber Ballet, Booker T. Washington High School for the Performing and Visual Arts Rep I and II companies, Tarrant County College Movers Unlimited, Mejia Ballet International, Bruce Wood Dance Project
» The Dance Council Honors are Sunday at 2 p.m., honoring Nita Braun, Ann Briggs-Cutaia and Joe Cutaia, Buster Cooper, Dylis Croman, Suzie Jary and Beth Wortley, with performances by Ballet Ensemble of Texas, Bruce Wood Dance Project and 2014 Dance Council Scholarship Recipients.
Ballet Ensemble of Texas delivers a near-flawless Firebird (and more) at the company’s Spring Concert
Irving — Luscious scenery, elaborate costumes, catchy compositions, authentic storytelling and proficient dancing: Ballet Ensemble of Texas’ restaging of George Skibine’s Firebird had something for everyone Saturday afternoon at the company’s Spring Concert at the Irving Arts Center.
Firebird, danced of course to the music of Igor Stravinsky, tells the tale of Prince Ivan’s encounter with the mystical Firebird. In the first scene he tries to capture the marvelous creature, but fails; the Firebird offers him one of her feathers instead. Next Ivan meets the beautiful Tsarevna and they fall in love. A battle ensues between Ivan and the evil Kostchei, and the Firebird is called upon to help defeat him. In the final scene Ivan and Tsarevna are wed and everyone lives happily ever after.
Firebird is a challenge that calls for dramatic flair and daring dancing—and the dancers responded with commitment and consistency, a tribute to stager Thom Clower’s passion and BET director Lisa Slagle’s training. Breanne Granlund thrived in the role of the Firebird. Her commanding stage presence, innate musicality and clear-cut pointe work were a match for Skibine’s detailed choreography and Stravinsky’s quick staccato composition. Even her smallest movements—fluttering arms, twitching head—seemed to entrance the audience. Texas Ballet Theater’s Brett Young excelled as Prince Ivan. He made the transition from hunter to lover appear effortless, though his solo in the opening scene must have tested his endurance with its multiple grande jetes and tours.
Young proved also to be a solid partner, executing the tricky over the head lifts and counter-balance holds with ease during the pas de deux, but softening his movements when dancing with his love Tsarevna (Abby Granlund). Abby exuded tranquility, creating the illusion that her movement never stops even when she is standing still. The surprise performance of the evening came from Aldrin Vendt, who played Kostchei. Under heavy makeup and layers of clothing, he compensated with exaggerated gestures and a sense of tension that radiated from every part of his body.
Fernando Bujones’ Splendid Gershwin and Marius Petipa’s Paquita, both restaged by American Ballet Theatre’s Susan Jones, rounded out the rest of the show. The company showed off its aptitude for more traditional ballet movement in Paquita. Yuki Takahashi sparkled in this role. Her beautiful breathing technique, inhaling as she elongates and exhaling into balance holds, added texture and anticipation to her performance. Soloists Masumi Yoshimoto, Natalie Tsay, Jimena Flores-Sanchez and Breanne Granlund gave solid performances that highlighted their musicality and poignant pointe work. Guest Artist Shea Johnson ate up the stage with his gravity-defying leaps and turning sequences. While at times his movement appears labored, he can execute a triple pirouette with ease.
The men stole the show in Splendid Gershwin with their Fred Astaire-like grace and personality. Dressed in tuxes and top hats, Samuel Chadick, William Sheriff, Aldrin Vendt and Johnson glided across the stage in a series of turns punctuated with pivots and drag steps in “Embraceable You.” Roman Mejia charmed the audience with his consecutive toe touches and cheeky air as he attempted to impress four female dancers in “Ladies & The Tramp.”
After seeing Ballet Ensemble of Texas deliver on consistency, authenticity and versatility with this Spring Concert one has to wonder, is there anything BET can’t do?