Contemporary Ballet Dallas (CBD) continues to rev up its image with a new name that will differentiate itself from the pre-professional school known as the School of Contemporary Ballet Dallas. CBD will be launching its new name, Ballet Dallas, at its spring concert May 17-18 at the Latino Cultural Center near downtown Dallas.
CBD was co-founded in 2000 by Valerie Shelton Tabor who has since served as one of the company’s choreographers and is now the company’s artistic director. Since its inception, CBD has participated in a number of local art and dance festivals, premiered more than 50 original works and has additionally commissioned eight new works from respected choreographers.
When I started writing about the Dallas dance scene for TheaterJones.com nine years ago, CBD was really a mystery to me. I felt that it lacked some clarity in its name, marketing and the types of work being produced and commissioned. And you would never see the same dancers perform in multiple shows. Thankfully, CBD has become more consistent with its dancers over the years. The name change also puts to bed any confusion regarding the company’s status as a professional dance company. For awhile there I thought CBD was a pre-professional troupe of dancers similar to that of Chamberlain Performing Arts, Collin County Ballet Theatre or Ballet Ensemble of Texas. I realized pretty quick that my assumption was incorrect, but I can’t be the only one to have made this error.
OK! back to the company’s upcoming performance at the Latino Cultural Center. It looks like it will be a fun and eclectic evening of dance with four new works by choreographers Kevin Jenkins (Boston Ballet School), Hailey von Schlehenried (Royale Ballet Dance Academy in Dallas), Carter Alexander (Chamberlain Performing Arts) and Emily Bernet and Taylor Rodman of Dallas-based Bombshell Dance Project.
It has been another eventful year for dance in Dallas. TITAS brought a whopping 11 national and international dance troupes to Dallas in 2017, including Bridgman Packer Dance, Doug Varone and Dancers, Ballet BC and Malpaso Dance Company. Dallas dance institutions Texas Ballet Theater and Dallas Black Dance Theatre (DBDT) tie for second with five programs each. DBDT also experienced its first season without founder Ann Williams at the helm and as DBDT’s programs have shown new Artistic Director Bridget L. Moore is not afraid to take news risks while also respecting the company’s modern roots.
And as for the smaller companies, Bruce Wood Dance and Dark Circles Contemporary Dance both had stellar years with numerous premieres by special guests and their own company members. Avant Chamber Ballet is still pushing the boundaries of ballet with its Women’s Choreography Project while both Dallas Neo-Classical Ballet and Contemporary Ballet Dallas continue to build stronger and more consistent works.
We also saw the continued evolution of local dances festivals here in Dallas, including the fourth annual Dallas DanceFest, the fourth annual Rhythm in Fusion Festival and the second annual Wanderlust Dance Project. We have also seen many of the young dance professionals in the area forming their own dance companies, projects and movements, including Emily Bernet and Taylor Rodman of Bombshell Dance Project, Adrian Aquirre who is founder of Uno Mas Dance Company and Madison Hicks who is the founder of Moving Forward Dance Project.
So, you can see progress has been made in Dallas, but going into 2018 funding and tickets sales remain at the forefront of everyone’s mind no matter the size of your dance company. We have seen some companies cut costs recently by looking in-house for new choreographic ideas as well as seeking lesser priced venues for performances. I expect to see more of this happening in 2018 as well as companies getting more creative with their marketing, including social media, to promote their upcoming shows.
And as I reflect over the last year I can’t help but notice that once again most, if not all, of the dance premieres I got to preview were produced by some of my favorite local dance people, including Joshua L. Peugh (Dark Circles Contemporary Dance), Danielle Georgiou (Danielle Georgiou Dance Group), Sean J. Smith (Dallas Black Dance Theatre), Emily Bernet and Taylor Rodman (Bombshell Dance Project) and Albert Drake (Bruce Wood Dance). I love the uniqueness these artists bring from their training, travels and artistic influences to their own creative processes; but the one thing they all have in common is they all treated me to a truly memorable experience, which is why they, along with a few others, have made it on my list of favorite new works by local choreographers.
In no particular order, here are my favorite new works made locally in 2017:
Donkey Beach by Danielle Georgiou
Nothing made me laugh as much as Danielle Georgiou Dance Group’s (DGDG) Donkey Beach did back in June as part of the AT&T Performing Arts Center’s Elevator Project. Inspired by the beach movies of the 1960’s, Georgiou along with Justin Locklear (music and lyrics) and Ruben Carrazana (script) used live surf rock music, popular dance moves like The Twist and The Mashed Potato as well as a slew ‘60s slang to transport audiences to one amazing beach party. And as only DGDG can do, the cast kept us laughing with their catchy song lyrics and quick-witted comebacks while also drawing our attention to controversial topics such as sexual orientation and gender neutrality in subtle and thoughtful ways.
Meant to Be Seen by Emily Benet and Taylor Rodman
In their Dallas debut this fall, Emily Bernet and Taylor Rodman of Bombshell Dance Project showed audiences what they are all about in what I believe to be their signature work, Meant to be Seen. In this eight-minute duet the former Dark Circles Contemporary Dance members relied on their instincts and experimental partnering as well as classical and modern dance stylings to show audiences that female dancers are also capable of handling the more aggressive and robust dance moves generally associated with male dancers. Performing to text and music by their movie icons Marilyn Monroe and Aubrey Hepburn, Bernet and Rodman cleverly added a hip, feminine vibe to balance out the more powerful movements in the piece.
Hillside by Joy Atkins Bollinger
Bollinger proved not to be a one hit wonder with her second visually moving work, Hillside, which premiered at Bruce Wood Dance’s RISE performance back in November. Like her first work Carved in Stone, in Hillside Bollinger relied heavily on her artistic eye, including stunning lighting effects and three-dimensional architectural shapes as well as a large cast to bring to life her narrative of a woman’s journey through the ups and downs of life. Bollinger accomplished this feat with long, swooping body movements, authentic human connections and a sloping 32-foot-long 5-foot-wide replica of a hillside. Kimi Nikaidoh also gave a masterfully performance as the lead character with her unyielding body control and raw display of emotions.
HALT! by Joshua L. Peugh
Peugh returned to his light-hearted roots with plenty of finger jabs, pelvic thrusts and leg twitches in HALT!, part of the Dark Circles Contemporary Dance’s Spring Series: Bleachers last May. Inspired by watching the fencing competition at the 2016 Summer Olympics in Brazil, Peugh took common fencing techniques such as lunges, attacks and advancements and added in his signature loose-limbed jumps, heavy walks and primal positions to put a modern spin on this centuries old sporting event. The matching white outfits and fencing masks added an air of mystery, which only heightened the viewers’ anticipation.
Chasing Home by Albert Drake
The Bruce Wood Dance company member has found his groove as a choreographer if his latest work, Chasing Home, which was part of the company’s Journeys performance last June, is any indication. With an original score by Joseph Thalken, the work focused on the communal acts of a wedding, including the after party featuring the dabke, a Middle Eastern dance, as well as a friendly game of soccer to represent the day-to-day activities of those currently living in refugee camps. Drake incorporated a slew of dance styles, including Graham technique, soccer drills, B-boying, classical ballet and Irish step dance. The most poignant moment in work came from Emily Drake and David Escoto. The couple’s swooping arm and leg movements and nuanced gesturing were clearly in Wood’s style, but the vulnerability and sensuality present in the couple’s partnering was uniquely Albert Drake.
Interpretations by Sean J. Smith
Last February, Dallas Black Dance Theatre (DBDT) company member Sean J. Smith was tasked with putting together a work highlighting the company’s 40 years of dance innovation and community outreach, which was then presented at DBDT’s annual Cultural Awareness Series. With a dancing background that includes jazz, tap, ballet, modern and classical, Smith incorporated all of these styles along with video and audio recordings that featured DBDT alums and faculty members to create Interpretations. The choreography flowed seamlessly from slow and methodical to fast and daring with an emphasis on musical accents and individual showmanship. I personally enjoyed the big band dance section at the end in which the men of DBDT defied gravity with numerous leaps, turns and foot slides.
Somewhere in Between by Shanon Tate
Shanon Tate’s depiction of the relationship between sisters in Somewhere in Between at LakeCities Ballet Theatre’s Director’s Choice last spring resonated strongly with me. Tate beautifully captured the complex nature among sisters in a number of poignant duets against a three-dimensional floral stage setup designed by Tom Rutherford. The familiar chords of Antonio Vivaldi played through the speakers as the three couples pulled, twisted and fell away from another while also engaging in a number of tender embraces.
Around the Holidays the NorthPark Mall in Dallas turns into a zoo thanks to the upscale mall’s unique holiday attractions which include Santa Claus, the trains and Sights and Sounds of the Season, which is a FREE performance series featuring the musical and movement stylings of schools, churches, synagogues and community and professional dance troupes from around North Texas. The performance series runs Nov. 28 through Dec. 22nd and the Dillards’ Court and North Court and again this is FREE!!!
With two little ones at home I am well versed with the trains and Santa Claus attractions at the mall, but I am a little embarrassed to admit that I have never stopped to watch any of the dance performances presented by the many well-known professional and pre-professional companies in the area. That is going to change this year especially since the only way to see Bruce Wood Dance’s Mistletoe Magic will be through this performance series. (Bruce Wood Dance performs tomorrow at 1pm in the North Court area.)
Looking at the performance line up online, I am amazed with the number of dance companies both professional and pre-professional that will be presenting in these 30-60 time slots as well as the variety of movement styles that will be showcased. I mean this Saturday alone starting at 10am you can catch some of the most popular names in the Dallas dance community, including 8&1 Dance Company, Anita N. Martinez Ballet Folklorico, Booker T. Washington High School for the Performing and Visual Arts, Bruce Wood Dance, Dark Circles Contemporary Dance, Danielle Georgiou Dance Group and Contemporary Ballet Dallas.
After checking in with some of these companies on social media, I can tell you that Dark Circles Contemporary Dance will perform Joshua L. Peugh’s Les Fairies as well as a section of a new work that Peugh is planning to introduce in the spring. OK! that alone has me hooked! Danielle Georgiou Dance Group will also give us a sneak peek of a new creation and perform Colby Calhoun’s Bedtime Stories. And Contemporary Ballet Dallas will perform to some holiday classics along with the school’s student ballet, tap and hip hop youth ensembles.
And while I have already included a link to the full line up, I wanted to pull out some special dates for all you dance lovers out there so you can go ahead and mark your calendars:
Dallas Black Dance Theatre Academy Performance Ensembles
The Hockaday School Dance Department
Texas Ballet Theater Dallas School
Collin County Ballet Theatre
Chamberlain School of Ballet
Avant Chamber Ballet
The Ballet Conservatory
Bombshell Dance Project
Dallas Ballet Company
I hope to see you all there!!! Get there early to find a parking spot and claim a front row seat!
Dallas DanceFest has announced its 2017 line up which shows a lot of hometown pride.
Wow! It is hard to believe that this year marks the 4th installment of Dallas DanceFest (DDF) which was created in 2014 under the guidance of arts patron Gayle Halperin and the Dance Council of North Texas. It looks like the festival’s mission of presenting high caliber and well-rounded dance performances will continue this year with a program that features all the major local players as well as the largest showing of pre-professional companies to date and a handful of relatively unknown dance companies from around and outside the Metroplex.
Let’s start with the bigwigs in Dallas dance. For the fourth straight year Bruce Wood Dance Project, Texas Ballet Theater and Dallas Black Dance Theatre will be featured at DDF as well as their smaller counterparts DBDT: Encore! and the Texas Ballet Theater School.
We will also see pieces from some repeat dance companies, including Dark Circle Dance Company, Contemporary Ballet Dallas, Indique Dance Company, Southern Methodist University’s Meadows Dance Ensemble and Houston-based NobleMotion Dance.
DFF 2017 will also feature a number of first timers, including Danielle Georgiou Dance Group, Center for Ballet Arts, Impulse Dance Project, Uno Mas and Grandans. Southern Methodist University Meadows dance student’s Kat Barragan and Arden Leone will also be showcasing work for the first time at this year’s festival.
I am also pleased to see so many familiar pre-professional ballet companies on this year’s roaster, including Ballet Ensemble of Texas (Coppell, TX), Ballet Frontier of Texas (Fort Worth, TX), Chamberlain Performing Arts (Plano, TX), Dallas Ballet Company (Dallas, TX) Royale Ballet Dance Academy (Dallas, TX) and LakeCities Ballet Theatre (Lewisville, TX). I have seen these companies perform a variety of dance styles from classical and neo-classical to more contemporary and jazz movements and I am eager to see how these aspiring professionals handle the pressure of sharing the stage with the more seasoned artists on this year’s program.
We have also seen a surge in the number of dance festivals occurring around Texas over the last couple of years so, it didn’t surprise me to see the Rhythm and Fusion Festival and Wanderlust Dance Project in this year’s line up. If you’re interested in reading more about the rise of dance festivals in Texas then you should read Nichelle Suzanne’s 2015 article for Arts+Culture magazine entitled Talent, Training, Festival & More: Fueling Contemporary Dance in Texas.
The 2017 Dallas DanceFest will take place Sept. 2-3 at the Moody Performance Hall, formerly Dallas City Performance Hall. More information about the festival can be found on the Dance Council of North Texas website.
Get into the holiday spirit with any one of these Nutcracker productions, from the traditional to Nearly Naked, offer across Dallas-Fort Worth. Plus a list of other holiday dance.
It’s that time of year again! In between all the shopping, decorating and baking you have planned this holiday season make sure you set some time aside to check out one of the numerous Nutcracker productions being offered by many of the professional and pre-professional dance companies across Dallas-Fort Worth. For audiences west of the DFW Airport, Texas Ballet Theater will be running Ben Stevenson’s version of The Nutcracker for multiple weekends at Bass Performance Hall in Fort Worth. Additionally, Ballet Frontier of Texas and North Central Civic Ballet will be presenting their annual Nutcracker performances at Will Rogers Auditorium.
For residents north of Dallas there are myriad Nutcrackers to choose from, including versions by LakeCities Ballet Theatre in Lewisville, Festival Ballet of North Central Texas in Denton, and Allen Civic Ballet in Allen. The Eisemann Center for Performing Arts in Richardson, will soon be bursting with holiday cheer when Chamberlain Performing Arts, Dallas Repertoire Ballet, Royale Ballet Dance Academy, Tuzer Ballet and Collin County Ballet Theatre bring their Nutcracker productions here beginning Thanksgiving weekend and continuing till Christmas. The Irving Arts Center is another popular venue for local Nutcracker productions, including versions by Ballet Ensemble of Texas, International Ballet Theater and Momentum Dance Company. And in Dallas the Moscow Ballet returns to McFarlin Auditorium at Southern Methodist University with its rendition of The Great Russian Nutcracker, featuring new costumes and set designs.
You can even hear Tchaikovsky’s full Nutcracker played by the Dallas Symphony, without dancers, if you’re so inclined.
And if you are in need of a change this season, check out any number of the holiday dance shows being offered, including Avant Chamber Ballet’s Holiday Celebration at Dallas City Performance Hall; Epiphany DanceArts Tis the Season at the Eisemann; Texas Ballet Theater’s The Nutty Nutcracker at Bass Performance Hall; and even a burlesque show in Dallas aptly named Nearly Naked Nutcracker. A full list of all the Nutcrackers and holiday productions in the area can be found below.
Nov. 20-21 Ballet Frontier of Texas presents The Nutcracker with choreography by Chung-Lin Tseng at Will Rogers Auditorium in Fort Worth. $40-$50. Call 817-689-7310 or visit www.balletfrontier.org
Nov. 20-22 Moscow Ballet return to Dallas with its rendition of The Great Russian Nutcracker at Southern Methodist University’s McFarlin Auditorium. This year’s production features new costumes for Act I by designer Arthur Oliver and two new backdrops by Academy Award Nominee Carl Sprague. $28-$88. Call 800-745-3000 or visit www.tickmaster.com
Nov. 27-29 Chamberlain Performing Arts annual showing of The Nutcracker featuring New York City Ballet Principal’s Tiler Peck and Tyler Angle at the Eisemann Center for Performing Arts in Richardson. $15-$100. Call 972-744-4650 or visit www.eisemanncenter.com
Nov. 27-29 Momentum Dance Company brings the holiday tale to life with choreography by Jacquelyn Ralls Forcher at the Irving Arts Center. $15-$25. Call 972-252-2787 or visit www.irvingartscenter.com
Nov. 28-29 LakeCities Ballet Theatre celebrates its 25th annual production of The Nutcracker which features live music from Lewisville Lake Symphony and guest artists Sarah Lane of American Ballet Theater and Daniel Ulbricht of New York City Ballet. $20-$45. Call 972-317-7987 or visitwww.lakecitiesballet.org
Dec. 4-6 Dallas Ballet Company presents The Nutcracker featuring guest artists April Daly and Miguel Blanco from Joffrey Ballet at the Granville Arts Center in Garland. $23-$24. Call 972-205-2790 or visit www.garlandarts.com
Dec. 5 Local dancers Harry Feril (Bruce Wood Dance Project) and Yulia Ilina (Avant Chamber Ballet) join theInternational Ballet Theater for its production of The Nutcracker Sweet at the Irving Arts Center. $28-$38. Call 972-252-2787 or visit www.irvingartscenter.com
Dec. 5-6 Ballet Ensemble of Texas, under the direction of Joffrey alum Lisa Slagle, presents the holiday classic at the Irving Arts Center. $25-$30. Call 972-252-2787 or visit www.irvingartscenter.com
Dec. 5-6 Rowlett Dance Academy presents its 14th annual production of The Nutcracker at Garland High School. $10. Call 972-475-8269 or visit www.rowlettdanceacademy.com
Dec. 5-6 Royale Ballet Dance Academy offering of The Nutcracker at the Eisemann Center for Performing Arts in Richardson. $20-$25. Call 972-744-4650 or visit www.eisemanncenter.com
Dec. 5-6 North Central Civic Ballet’s rendition of The Nutcracker at the Will Rogers Auditorium in Fort Worth. $30. Visit www.nutcrackertickets.com
Dec. 5-10 New York City Ballet brings George Balanchine’s The Nutcracker to the big screen in various movies across the DFW Metroplex. $16-$18 Adult. Visit www.fathomevent.com
Dec. 11-27 Texas Ballet Theater takes the stage with Ben Stevenson’s version of The Nutcracker at Bass Performance Hall in Fort Worth. Call 877-828-9200 or visit www.texasballettheater.org
Dec. 11-13 Dallas Repertoire Ballet brings its rendition of the beloved holiday tale to the Eisemann Center for Performing Arts in Richardson. $22-$42. Call 972-744-4650 or visitwww.eisemanncenter.com
Dec. 12 Colleyville Ballet’s production of The Nutcracker for one-night only at the Irving Arts Center. $25-$30. Call 972-252-2787 or visit www.irvingartscenter.com
Dec. 12-13 Festival Ballet of North Central Texas showing of The Nutcracker at Texas Woman’s University, Margo Jones Performance Hall in Denton. $11-$36. Call 940.891.0830 or visit www.festivalballet.net
Dec. 19-20 Tuzer Ballet presents The Nutcracker with guest artists Rie Ichikawa (Boston Ballet) and Zack Grubbs (Cincinnati Ballet) at the Eisemann Center for Performing Arts in Richardson. $15-$50. Call 972-744-4650 or visitwww.eisemanncenter.com
Dec. 19-20 The Allen Civic Ballet presents its annual production of the holiday classic with live musical accompaniment by the Allen Philharmonic Chamber Orchestra at the Allen High School Performing Arts Center in Allen. $15-$25. Visit www.allencivicballet.org/nutracker
Dec. 19 The Art Ballet Academy presents The Nutcracker at Mansfield ISD Center for the Performing Arts, Mansfield. $16. Visit www.abacademy.com
Dec. 22-23 Collin County Ballet Theatre’s annual production of The Nutcracker features live music from Plano Symphony Orchestra at the Eisemann Center for Performing Arts in Richardson. $22-$77. Call 972-744-4650 or visitwww.eisemanncenter.com
OTHER HOLIDAY DANCE
(including non-traditional takes on The Nutcracker)
Nov. 19 Avant Chamber Ballet returns to White’s Chapel United Methodist Church in Southlake with its holiday production of Nutcracker: Short and Suite. This one-act Nutcracker presented by Apex Arts League includes new choreography by Katie Cooper and music by Tchaikovsky. $15-$20. Call 800-481-8914 or visit www.apex-arts.org
Nov. 27-29 The Dallas Symphony Orchestra plays Tchaikovsky’s complete The Nutcracker (no dancers), and featuring the Children’s Chorus of Collin County, at the Meyerson Symphony Center, Dallas. Call 214-692-0203 or visit www.mydso.com
Nov. 27-Dec. 27 MBS Productions presents its annual hit The Beulaville Baptist Book Club Presents a Bur-Less-Q Nutcracker, in which a church has to do a last minute substitution of its dancers for The Nutcracker, at the Addison Theatre Centre’s Studio Theatre. $29. Call 214-477-4942 or visit www.mbsproductions.net
Dec. 6 8&1 Dance Company closes its third season with In The Spirit, featuring live music and heart-warming chorography at the Quixotic Word in Dallas. Visit www.8and1dance.com
Dec. 6 Dallas Youth Ballet presents a Rockefeller Christmas Spectacular at Dallas City Performance Hall with special guest Arron Scott from American Ballet Theatre. $20-$75. Visitwww.parkcitiesstudios.com
Dec. 10 Avant Chamber Ballet’s Holiday celebration at Dallas City Performance Hall incudes Katie Cooper’s Sleigh Ride and Nutcracker: Short and Suite. $20-$30. Visit www.ticketdfw.com
Dec. 11-12 Bruce Wood Dance Project presents a Christmas Cabaret benefit with Broadway stars Aaron Lazar, Liz Callaway and Joseph Thalken, at the BWDP Studio, 3630 Harry Hines Boulevard, Suite 36, Dallas. $350-$1,000. Call 214-428-2263 or visit www.brucewooddance.org
Dec. 12 Ballet Concerto presents its annual A Holiday Special at Will Rogers Auditorium in Fort Worth. The program includes Winter Wonderland, The Princess and the Magical Christmas Star, O Holy Night and A Cool Yule. $8 for daytime performances and $12-$25 for the evening performance. Call 817-738-7915 or visit www.balletconcerto.com
Dec. 12 Contemporary Ballet Dallas offers their spin on Charles Dickens’ classic tale with Boogie Woogie Christmas Carol at McFarlin Memorial Auditorium on the Southern Methodist University campus. $18-$30. Visitwww.contemporaryballetdallas.com
Dec. 18 Texas Ballet Theater brings The Nutty Nutcracker, its PG-13 spoof of The Nutcracker, to Bass Performance Hall for one night only. $40-250. Call 877.828.9200 or visit www.texasballettheater.org
Dec. 18-19 Epiphany DanceArts celebrates the holiday season with its production of Tis the Season at the Eisemann Center for Performing Arts in Richardson. $17-$27. Call 972-744-4650 or visit www.eisemanncenter.com
Dec. 19 Broads & Panties presents Nearly Naked Nutcracker: A Burlesque Ballet featuring aerial performances, circus arts, ballet and burlesque at Trees in Deep Ellum. $20-$44. Visit www.treesdallas.com
Dec. 19-20 Denton City Contemporary Ballet presents A Gift for Emma at Margo Jones Performance Hall at Texas Woman’s University, Denton. $15-25. Call 940-383-2623 or visit www.dentoncitycontemporary.org
Dec. 19-20 ImPULSE Dance Project celebrates the season with Snow at the Medical Center of Lewisville Grand Theater. Program includes works by Artistic Director Anastasia Waters and company members Krista Langford and Kristin Daniels. $17. Visit www.impusedanceproject.org
The holiday season is upon us, and you know what that means: The Nutcracker. Here’s our round-up of local Nutcrackers, plus non-Nut holiday dance.
It’s the holidays, and in the dance world, that means nuts are about to be crackin’ all over the place. North Texas will be filled with performances of The Nutcracker, which means box offices will be singing, parents and grandparents will be thrilled at seeing their kids in the party scene, and little girls will see the Sugar Plum Fairy and be inspired to take ballet lessons.
Beginning this weekend, as the Moscow Ballet returns, you can see at least one performance of The Nutcracker each weekend if you like, right up through a few days before Christmas. We’ve also included some pretty different takes on The Nut, as the dancers call it, from theater outfits Dallas Children’s Theater (marionettes!) and MBS Productions (burlesque!).
And, because there are a few brave dance companies out there willing to do a holiday dance production sans the Snow Queen, we’ve also included the few non-Nut shows.
LET’S START WITH THOSE:
Denton City Contemporary Ballet presents A Gift for Emma Nov. 22 – 24 at Krum High School Performance Center in Krum, Texas. Ticket Office: www.dentondance.com
Contemporary Ballet Dallas presents a Boogie Woogie Christmas Carol, inspired by the Dickens tale, Dec. 7 at Southern Methodist University’s McFarlin Auditorium. Ticket Office:www.contemporaryballetdallas.com
Dallas Metropolitan Ballet presents The Night Before Christmas Dec. 14 – Dec. 15 at Southern Methodist University’s McFarlin Auditorium in Dallas. Tickets: $10 – $40. Ticket Office: www.ticketmaster.com or call 214-631-2787 or 817-467-2787
Epiphany DanceArts presents Christmas Memories Dec. 20-21 at the Eisemann Center for Performing Arts in Richardson, Texas. Tickets: $15 – $29. Ticket Office:www.epiphanydancearts.org or call 972-744-4650
AND NOW, THE NUTCRACKERS:
Moscow Ballet brings back The Great Russian Nutcracker to Dallas Nov. 15 and Nov. 17 at Southern Methodist University’s McFarlin Auditorium. Tickets: $28. Ticket Office: www.nutcracker.com or call 800-320-1733
Ballet Frontier of Texas presents its rendition of The Nutcracker Nov. 22 – 23 at the Will Rogers Auditorium in Fort Worth, Texas. Tickets: $25. Ticket Office: www.balletfrontier.org
MBS Productions returns with its annual revival of the comedy The Beulaville Baptist Book Club Presents a Bur-Less-Q Nutcracker, in which a burlesque troupe saves the day in a small Texas town by performing the holiday classic. Nov 23-Dec. 29 at the Stone Cottage on the campus of the Addison Theatre Centere. Tickets: $18-$27. Ticket Office: www.mbsproductions.net
Chamberlain Performing Arts presents The Nutcracker featuring New York City Ballet principal dancers Tiler Peck and Tyler Angle Nov. 29 – Dec. 1 at the Eisemann Center for Performing Arts in Richardson, Texas. Ticket Office: www.eisemanncenter.com or call 972-744-4650
Texas Ballet Theater presents Ben Stevenson’s The Nutcracker which runs Nov. 29 – Dec. 8 at the Winspear Opera House in Dallas and Dec. 13 – 27 at Bass Performance Hall in Fort Worth. Ticket Office: www.texasballettheater.org
Kathy Burks Theatre of Puppetry Art’s presents its interpretation of The Nutcracker Nov. 29 – Dec. 22 at the Dallas Children’s Theater in Dallas. Tickets: $13 – $40. Ticket Office: www.dct.org or call 214-740-0051
LakeCities Ballet Theatre’s rendition of The Nutcracker runs Nov. 30 – Dec. 1 at Marcus High School in Flower Mound, Texas, and Dec. 14 – 15 at Little Elem Recreation Center. Ticket Office: www.lakecitiesballet.com
Momentum Dance Company does The Nutcracker with guests Michele Gifford, Shea Johnson and Bruce Coleman. Nov. 29-Dec. 1 at the Irving Arts Center. Tickets: $15-$25. Ticket Office: www.irvingartscenter or call 972-252-2787
Dallas Ballet Company will be celebrating its 27th annual performance of The Nutcracker Dec. 6 – Dec. 8 at the Granville Arts Center in Garland, Texas. Tickets: $23. Ticket Office: www.garlandarts.com or call 972-205-2790
The Dallas Youth Ballet presents The Nutcracker Dec. 7 at the new Dallas City Performance Hall in the Dallas Arts District. Tickets: $15 – $35. Ticket Office: www.thedallasconservatory.org or call 214-357-8888
The Ballet Ensemble of Texas brings its rendition of The Nutcracker to the Irving Arts Center Dec. 7 – 8. Tickets: $21-$26. Ticket Office: www.irvingartscenter or call 972-252-2787
The Dallas Repertoire Ballet presents The Nutcracker Dec.13-15 at the Eisemann Center for Performing Arts in Richardson, Texas. Tickets: $15 – $50. Ticket Office: www.eisemanncenter.com or call 972-744-4650
Festival Ballet of North Central Texas will be performing The Nutcracker Dec. 14 – 15 at the Margo Jones Performance Hall at Texas Woman’s University in Denton, Texas. Tickets: $11 – $36. Ticket Office: www.festivalballet.net or call 940-891-0830
For a more adult Nutcracker performance Texas Ballet Theater offers The Nutty Nutcracker, a collaborative work between artistic staff and dancers featuring hot topics of the past 12 months. The performance is slated for Dec. 20 at Bass Performance Hall in Fort Worth. Ticket Office: www.texasballettheater.org
Tuzer Ballet presents The Nutcracker Dec. 21-22 at the Eisemann Center for Performing Arts in Richardson, Texas. Tickets: $15 – $50. Ticket Office: www.eisemanncenter.com or call 972-744-4650
The Allen Civic Ballet presents its 15th anniversary production of The Nutcracker Dec. 21 – Dec. 22 at the Performing Arts Center at Allen High School. Tickets: $15 – $30. Ticket Office: www.allencivicballet.org
Collin County Ballet Theatre presents The Nutcracker Dec. 23-24 at the Eisemann Center for Performing Arts in Richardson, Texas. Tickets: $15 – $75. Ticket Office: www.eisemanncenter.com or call 972-744-4650
There’s too much going on in Boogie Woogie Christmas Carol, the annual holiday show from Contemporary Ballet Dallas.
Dallas — While it was refreshing to see a winter dance performance not called The Nutcracker, Contemporary Ballet Dallas‘ Boogie Woogie Christmas Carol at McFarlin Memorial Auditorium Saturday evening was Christmas overload with excessive characters, scenes and props.
The first act was a very kid-friendly affair with Christmas song classics, including “Jingle Bells,” “Santa Baby” and “Have Yourself A Merry Little Christmas,” but CBD also took some risks in the second act with song choices, including Florence & the Machine and Evanescence, which seemed geared to a more mature audience in this updated version of Charles Dickens’ A Christmas Carol.
CBD’s tale, created by guest choreographers Jennifer Arellano, Kate Walker, Don West and Anna Ward, follows a modern day Ebenezer Scrooge as he navigates the mall in the run-up to Christmas; travels through time (the 1990s, ’70s and ’50s) with the Ghost of Christmas Past; visits his niece with the Ghost of Christmas Present; and has a very dark experience with the Ghost of Christmas Future before finally changing his greedy ways.
Brandon McGee played the part of Scrooge well; authentic acting and good technique. Props to him for partnering all those ladies in multiple scenes. You could see the signs of fatigue in his shaky grip by the end of the show.
The story was straightforward enough, but with so many dance numbers and additional characters onstage, at times it was difficult to follow along. Standout performances were Jorge Fuentes’ (Bob Cratchit) contemporary solo in Scrooge’s office and the Snow Blizzard Ballet with the Snow Princess (Lea Essmyer). Both numbers were clean, vulnerable and visually interesting.
The opening scene in the mall was crowded yet cheerful. The company ponied and shimmied through a couple of character-driven dances, including a trio to Santa Baby, while a few select students from the School of Contemporary Ballet Dallas pranced around as elves. The number of people onstage in addition to the Christmas tree and Santa’s chair station made spacing a little tight; prohibiting some dancers from fully extending their kicks.
The production took a dark turn in the second act with Scrooge’s journey through the past, present and future. At times drawn-out and confusing, Scrooge’s look back at the ’50s and ’70s involved a young Scrooge being bullied in the schoolyard and then took a sharp left turn to a disco party scene featuring some iconic John Travolta moves from Saturday Night Fever.
The Ghost of Christmas Present (Leslie Hale) stood out with her articulate body lines and Martha Graham contractions.
The lighting and music turned ominous as dancers’ dressed all in black scampered across the stage in anticipation of the Ghost of Christmas Future’s (Jennifer Obeney) arrival. The dancers’ movements were primitive; slumped shoulders and a low center of gravity. It was probably the most creative choreography in the show, through I’m sure there were some little ones in the audience covering their eyes.
The Christmas spirit returned in the final scene where Scrooge has changed his ways for the better and the whole cast performed an upbeat jazz/character number to Gettin‘ In The Mood: Dig that Crazy Christmas.
It was risky, and certainly good for the kids and families, for CBD to feature some of its students throughout the performance alongside the company instead of the typical strategy which is to use them as “living props” and the “cute factor.” Unfortunately, at times the kids almost seemed too involved in some scenes, distracting viewers from the company’s otherwise proficient dancing.