Dallas DanceFest has announced its 2017 line up which shows a lot of hometown pride.
Wow! It is hard to believe that this year marks the 4th installment of Dallas DanceFest (DDF) which was created in 2014 under the guidance of arts patron Gayle Halperin and the Dance Council of North Texas. It looks like the festival’s mission of presenting high caliber and well-rounded dance performances will continue this year with a program that features all the major local players as well as the largest showing of pre-professional companies to date and a handful of relatively unknown dance companies from around and outside the Metroplex.
Let’s start with the bigwigs in Dallas dance. For the fourth straight year Bruce Wood Dance Project, Texas Ballet Theater and Dallas Black Dance Theatre will be featured at DDF as well as their smaller counterparts DBDT: Encore! and the Texas Ballet Theater School.
We will also see pieces from some repeat dance companies, including Dark Circle Dance Company, Contemporary Ballet Dallas, Indique Dance Company, Southern Methodist University’s Meadows Dance Ensemble and Houston-based NobleMotion Dance.
DFF 2017 will also feature a number of first timers, including Danielle Georgiou Dance Group, Center for Ballet Arts, Impulse Dance Project, Uno Mas and Grandans. Southern Methodist University Meadows dance student’s Kat Barragan and Arden Leone will also be showcasing work for the first time at this year’s festival.
I am also pleased to see so many familiar pre-professional ballet companies on this year’s roaster, including Ballet Ensemble of Texas (Coppell, TX), Ballet Frontier of Texas (Fort Worth, TX), Chamberlain Performing Arts (Plano, TX), Dallas Ballet Company (Dallas, TX) Royale Ballet Dance Academy (Dallas, TX) and LakeCities Ballet Theatre (Lewisville, TX). I have seen these companies perform a variety of dance styles from classical and neo-classical to more contemporary and jazz movements and I am eager to see how these aspiring professionals handle the pressure of sharing the stage with the more seasoned artists on this year’s program.
We have also seen a surge in the number of dance festivals occurring around Texas over the last couple of years so, it didn’t surprise me to see the Rhythm and Fusion Festival and Wanderlust Dance Project in this year’s line up. If you’re interested in reading more about the rise of dance festivals in Texas then you should read Nichelle Suzanne’s 2015 article for Arts+Culture magazine entitled Talent, Training, Festival & More: Fueling Contemporary Dance in Texas.
The 2017 Dallas DanceFest will take place Sept. 2-3 at the Moody Performance Hall, formerly Dallas City Performance Hall. More information about the festival can be found on the Dance Council of North Texas website.
Dallas Black Dance Theatre kicks off its 39th season with an impressive showing of African dance styles and intricate drumming techniques at its annual DanceAfrica performance.
Dallas — Peace! Love! Respect! For Everybody! These values played a pivotal role in the African dances and rituals audiences were invited to be a part of Friday evening at Dallas Black Dance Theatre’s (DBDT) annualDanceAfrica performance at the Dallas City Performance Hall. Special guests Dallas Black Dance Academy Ensembles, Booker T. Washington High School for the Performing and Visual Arts’ World Dance Ensemble, Giwayen Mata and Bandan Koro African Drum and Dance Ensemble enthralled audiences with their boundless energy, uninhibited movement quality and complex drumming skills.
As is customary, Dr. Charles “Chuck” Davis opened the show with a brief historical synopsis of DanceAfrica before handing it over to DBDT’s Council of Elders. With candles casting the only light a handful of individuals dressed in white stood center stage while Mama Diana Hughley lead them through a hauntingly beautiful chant honoring their ancestors. The venue’s intimate setting and special lighting capabilities that allowed images to be projected around the theater really added to the welcoming message of the event, and this scene in particular, which was not always the case when the festival was held at the more expansive Majestic Theater.
DBDT and DBDT II displayed great stamina and rhythmic skill in Davis’ Homage to the Source Africa. The movement was a fusion of balletic leg extensions and jumps and classic Katherine Dunham technique, which included articulated pelvis, flexible spine and polyrhythmic movements. The pinnacle of the dance was the individual solos where viewers got to see the dancer’s personalities come out through his or her choice movement. Main company member Michelle Herbert was all about the pelvis isolations as she bent over and walked backwards while Alyssa Harrington focused on her upper body with a series of torso pops and head swings. DBDT II dancers Lailah Duke and Christen Ashley Williams garnered applause when they combined chest isolations and hip shakes with fast foot work. The men of both groups also wowed the audience with their speed and athletic prowess throughout the entire number.
Fluctuating energy levels and costume mishaps were a distraction in the collaborative number performed by the Dallas Black Dance Academy Ensembles, but the technical foundation and musical awareness was there and it will be interesting to see how director’s Kayah Franklin, Michelle Herbert and Katricia Eaglin build on these strengths throughout the year.
Booker T.’s World Dance Ensemble surprised the audience with their authentic character portrayal and advanced African dance technique in Moussa Diabate’s Sofa (The Hunting Dance). In the beginning a male hunter scouts out the area, his movements slow and deliberate as he aimed his rifle in different directions. The other hunters entered crawling across the stage, pausing every so often to look down their rifles. As the drums behind them changed tempo the dancers’ movements became more exaggerated. As the piece progressed the dancers kept layering the movement with more hip isolations and upper body undulations till the hunt was over. The dancers’ sharp focus and ease with the props throughout the piece are a testament director Michelle Zada Hall’s time and diligence in rehearsal.
The first half ended with Bandan Koro Drum and Dance Ensemble letting it rip on a family of West African bass drums in Foli Kan 2.0 and showcasing their physical and musical fortitude in Dundunba. In both pieces the ensemble made the quick transitions from drumming to dancing appear effortless.
In the second half Giwayen Mata showed great range with five pieces that combined their exceptional drumming and joyous vocals with boisterous arm gestures and tricky foot stomping sequences. The group’s piece For Baba which honored Chuck Davis stood out with its deliberate and reverent movement choices. A single dancer explored the space through a series of opened-chest releases, shifting body shapes and moments of suspension as she slowly traveled across the stage. At the end she approached Davis who was also on stage and bowed her head while touching her chest and then the ground in a sign of respect and love.
Dallas Black Dance Theatre II pushes itself physically and emotionally in Artistic Director Nycole Ray’s Opaque, part of DanceFest 2015 this weekend.
Dallas — Starting out as a student-driven secondary company formed in 2000 by Dallas Black Dance Theatre Founder Ann Williams, Dallas Black Dance Theatre II (DBDT II) has flourished into a high caliber performance troupe made up of eight young and hungry semi-professionals from all over the place. This year’s troupe alone includes dancers from Washington, D.C., Chicago, Mexico and Jamaica. Every dancer has a unique story of how they became involved with DBDT II that they readily shared with me when I stopped by Dallas Black Dance Theatre’s (DBDT) main studio last Thursday to watch them prepare for the upcoming Dallas DanceFest.
Surprisingly only one company member comes from the Dallas Black Dance Academy while everyone else came in contact with DBDT through college workshops, summer intensives, tours in New York City and the International Association of Blacks in Dance conferences. Artistic Director Nycole Ray points out that these dancers are here voluntarily, working tirelessly toward the goal of one day moving up to the main company. “DBDT II is really the training company for DBDT,” Ray says. “Last year six out of the 12 main company members came from the second company.” Ray adds that this has always been Ms. Williams’ vision for DBDT II. “When I took over the second company six years ago Ms. Williams told me she wanted the group to have the same technical excellence and strength as the main company such that audiences wouldn’t be able to tell the difference between the two.”
With that goal in mind Ray is constantly challenging the dancers by introducing them to a variety of movement styles and choreographers, including Christopher L. Huggins, Bruce Wood, Ray Mercer, Dianne Grigsby, Cleo Parker Robinson and DBDT company member Richard A. Freeman, Jr. DBDT II’s touring schedule has included stops in South Carolina, Oklahoma, Louisiana, Virginia and Arkansas. Internationally the company has travelled to Ireland, South Africa, Austria and Peru, just to name a few. Ray says the company is very excited to add Mexico and Chile to their touring schedule this year.
When it comes to her own choreography Ray says she likes to challenge the dancers physically and emotionally, which comes across in abundance in her aptly titled work Opaque. “The piece is about things not always being transparent no matter how much you want them to be. The thought process stems from a person and not so happy feelings, which then evolved into something that made me feel good and positive.” You get a sense of this optimism through the dancers’ lifted upper bodies, unyielding trust in one another and purposeful use of each dancer’s (male and female) long, black skirts. “The skirts purposely cover the dancers’ feet to create this illusion that they are floating while also reflecting on the theme of transparency and what you can’t see.” The skirts are not just for ambiance. The dancers use them throughout the work as extensions of their bodies, links to one another in one section where they unravel across the stage and even for extra resistance in the partnering sequences. The effect is dramatic, yet not overdone.
» The second Dallas DanceFest is Sept. 4-6. Performances will take place on Friday and Saturday night at 8 p.m. with the 2015 Dance Council Honors awards ceremony and performance showcase occurring on Sunday afternoon.
The second annual Dallas DanceFest promises more variety and exceptional dancing from individuals and groups throughout the region.
Dallas – The perception of dance in Dallas has changed dramatically over the last five years largely due to the development of the Dallas Arts District; the rise in the number of professional dance companies based in the city; the restructuring of veteran dance groups like Texas Ballet Theater and Dallas Black Dance Theatre; and the creation of local dance festivals, including Rhythm In Fusion Festival (RIFF) and Dallas DanceFest (DDF). All of these factors are helping to transform Dallas into a grand destination for dance. Keeping this in mind the Dance Council of North Texas (DCNT), in partnership with the City of Dallas Office of Cultural Affairs, is planning to deliver more vitality, diversity and excellence in dance with the second annual DDF which takes place September 4-6, 2015 at Dallas City Performance Hall. This prestigious event features performances on Friday and Saturday evenings at 8:00 p.m. and concludes Sunday afternoon with the Dance Council Honors.
The impact of the festival isn’t just felt around the Dallas-Fort Worth Metroplex but across the region as well. Houston-based METdance (formerly Houston Metropolitan Dance Company), an original participant in the Dallas Morning News Festival, was disappointed when that festival disbanded in 2004 as it had looked forward to performing for Dallas audiences. But artistic director Marlana Doyle says, “We were grateful to be a part of DDF last year and had the thrill of enjoying the Dallas audiences and arts community in such an amazing venue once again. METdance appreciates the efforts of the Dallas Dance Council and looks forward to celebrating the arts in Texas.”
Kimi Nikaidoh, artistic director of Bruce Wood Dance Project here in Dallas, adds, “Given the all-consuming nature of running an arts organization, it’s impossible to see what all of the many other groups in the area are accomplishing. Dallas DanceFest brings us all out of our respective “workshops” and gives us the chance to be inspired and challenged by each other.”
Curated by top dance professionals Lauren Anderson, Fred Darsow, Bridget L. Moore and Catherine Turocy, DDF 2015 will feature 19 exceptional artists and companies from all across the region including – Houston, Austin, Oklahoma, Alabama, and the Dallas-Fort Worth Metroplex. Audiences can expect each performance to be a unique and thrilling display of dance styles including – classical ballet, modern, tap, hip-hop, traditional Indian dance and Ballet Folklorico. The programs will also feature performances by well-known and beloved Dallas institutions such as Dallas Black Dance Theatre and Bruce Wood Dance Project along with some new names including the Dallas Cowboys Rhythm & Blues Dancers.
“It was incredible to see such a tremendous response to DDF 2014,” says DCNT President Kirt Hathaway. “The Dance Council made the decision to re-implement this wonderful dance event after it had sat idle for so many years. With the inclusion of the Dance Council Honors, DDF has immediately become one of DCNT’s marquis events. Producing such a wonderful weekend of dance would not have been possible if the organization had not experienced such growth over the past several years. It truly shows that there is a great commitment by the board and staff to support dance in North Texas and beyond. This year promises to be even more exciting.”
This year’s participants include:
Ballet Ensemble of Texas (Coppell, TX) – Formed in May 2001 under the leadership of Lisa Slagle, the company’s goal is to present quality ballet performances for the local communities and to provide advanced ballet students with the opportunity to prepare for a career in dance. It is the official company of the Ballet Academy of Texas.
Bell House Arts, Inc. (Owasso, OK) – Founded by Rachel Bruce Johnson, The Bell House is a collaborative dance and art cooperative dedicated to creating opportunity for artistic exchange. At The Bell House, we are interested in the collaboration of ideas, people and movement language that challenge the status quo and conventional ways of making art by elevating art as a process. Its fosters meeting points for artistic connection between people rather than elevating the art as product in order to activate the transformative nature of movement that can be experienced both in the practice, performance and witness of dance.
Booker T. Washington High School for Performing and Visual Arts (BTWHSPVA) Repertory Dance Company I & II (Dallas, TX) – BTWHSPVA is “the cradle of the Dallas Arts District.” In 2015, the school was awarded the Texas Commission of the Arts Medal of Honor for exemplary training in Arts Education. The department’s philosophy is to provide a broad dance education that challenges the students artistically, intellectually and physically and to prepare qualified students for collegiate and professional careers in dance and related professions.
Bruce Wood Dance Project (Dallas, TX) – BWDP was launched in 2011 to champion the vision, leadership and artistry of nationally acclaimed Texan dance-maker Bruce Wood. BWDP picked up where the successful Fort Worth-based Bruce Wood Dance Company left off. Under Wood’s direction the company produced six word premieres and a TITAS Presents Commission for Command Performance Gala. Currently in its fifth season the company is now under the direction of Kimi Nikaidoh after Wood’s passing in May 2014.
Chamberlain Performing Arts (Plano, TX) – Established in 1984 by Artistic Director Kathy Chamberlain as a student ensemble dedicated to providing students a stepping stone to professional dance careers. Chamberlain is dedicated to serving North Texas and the surrounding community by providing professional quality performances and outstanding outreach programs. The company takes great pride in the ongoing efforts to expand its cultural diversity through performance collaborations.
Dallas Black Dance Theatre (Dallas, TX) – Founded in 1976 by Ann Williams, DBDT consists of 12 full-time dancers performing a mixed repertory of modern, jazz, ethnic and spiritual works by nationally and internationally recognized choreographers. Over the years the company has grown from a community-based, semi-professional organization to a fully-professional dance company that is renowned in the U.S. and is noted for its rich cultural diversity, history of inclusion and high-level of artistic excellence in contemporary modern dance and educational programs
Dallas Black Dance Theatre II (Dallas, TX) – This semi-professional company created by Dallas Black Dance Theatre Founder Ann Williams in 2000 consists of eight aspiring artists from around the nation. Under the guidance of Nycole Ray, DBDT II provides an opportunity for young artists to develop their dance skills while serving the Dallas/Fort Worth community and touring across the nation. Going into its 16th season performing works by recognized and emerging artists, DBDT II performs a diversified repertoire of modern, jazz, African, lyrical and spiritual works.
Dallas Cowboys Rhythm & Blues Dancers (Irving, TX) – Founded in 2009, DCRB is a high-energy co-ed hip hop dance team and drum corps. Lead by Jenny Durbin Smith DCRB brings an innovative, unique and exciting element to the Cowboys legendary game-day entertainment line-up. The dance teams dynamic routines feature breakdancing and hip hop-based movement requiring both strong musicality and level of dance ability. Presented by Miller Lite, DCRB was conceptualized under the direction of Dallas Cowboys Executive Vice President of Brand Management Charlotte Anderson and is the first and only entertainment concept of its kind in the National Football League.
Dark Circles ContemporaryDance (Dallas, TX) – Originally formed in Seoul, South Korea by Joshua L. Peugh and Cho Hyun Sang, Peugh started the USA branch of the company in 2013 bridging the gap between East and West. DCCD is dedicated to bringing the progressive work of international choreographers and dancers to a worldwide audience. It strives to educate the public on the power of movement in communicating ideas.
AJ Garcia-Rameau (Austin, TX) -AJ Garcia-Rameau is an independent contemporary ballerina based in Austin. AJ trained at Houston Academy of Dance and Austin School of Classical Ballet. She received additional training under scholarship with Alvin Ailey School, Joffrey Jazz/Contemporary and Complexions Contemporary Ballet. AJ earned a BS degree in Chemical Engineering and Dance minor from the University of Texas. She has performed with Exclamation Dance Company, Austin Classical Ballet and BHumm Dance Company.
Houston Repertory Dance Ensemble (Houston, TX) – The ensemble is a sponsored project of Fractured Atlas, a non-profit arts service organization, and is led by Artistic Director Amy Blake. This ensemble was designed for the dancer seeking collaboration with exemplary worldwide professionals in the industry to help them obtain greater levels of achievement in the arts through classical training in ballet, jazz, modern and contemporary. The ensemble provides dancers with a positive working environment and opportunities for master classes, private coaching, YAGP participation and multiple international showcases and performance venues.
METdance (Houston, TX) – Founded in 1995, Houston Metropolitan Dance Center Inc. strives to educate and revitalize a passion for dance through the finest instruction and performance. Under the direction of Marlana Doyle MET Dance Company has performed throughout the United States in dozens of theaters receiving high acclaim, performing works by some of the most influential and talented choreographers of our time. The company is the sister organization to the MET Dance Center. Mosaic Dance Project of Dallas (Dallas, TX) – Created in 2014 by Giovanna Godinez Prado, Mosaic Dance Project’s mission is to create, educate and inspire individuals that desire to grow not only as dancers, but as artists as well, along with our cultural and ethical awareness and values.
Natyananda: Joy of Dance (Birmingham, AL) – Founded in 1978 by Sheila Rubin, Natyananda performs both traditional and original choreographic works in the classical Bharatanatyam style of Southern India. Through student, professional and guest artist presentations Natyananda promotes understanding of universal artistic and cultural themes while showcasing the rich and unique heritage of Alabama’s Asian Indian-American community.
NobleMotion Dance (Houston, TX) – NMD was co-founded by Andy Noble and Dionne Sparkman Noble in 2009. Over the last five years it has distinguished itself as one of Houston’s most important dance companies. NMD brings a fresh perspective to their community with its mission of integrating technology and dance, and is a Resident Incubator at the Houston Arts Alliance and is currently on the Texas Commission on the Arts (TCA) touring roster.
LaQuet Sharnel Pringle DDF 2015 commissioned premiere(Austin, TX) – A Booker T Washington HSPVA alum, Pringle attending the North Carolina School of the Arts before making her Broadway debut in 2005 in Sweet Charity with Christina Applegate and Dennis O’Hare. She has also performed in productions of The Lion King and Memphis. Today, Pringle is an adjunct professor at Texas State University teaching Jazz Dance in the Musical Theater Department. She is also the artistic director and founder of Fearless Young Artists (FYA) and was the headliner of Dance Planet 19.
Rhythmic Souls (Dallas, TX) – This small company if wicked fierce rhythm tapper is captivating local audiences with their unique blend of style, charisma, innovative choreography and rapid-fire footwork. The company is on the cutting-edge of dance choreography with cross-genre repertoire that infuses rhythm tap dance with body percussion, sand dancing, contemporary movement, flamenco, swing dance and anything else that might lend itself to their rhythmic percussion. The company strives to bring the spirit of tap dance back to the stage and continue the legacy of an American art form.
Southern Methodist University Meadows School of the Arts Dance Division (Dallas, TX) – The SMU Division of Dance offers both conservatory dance instruction and a liberal arts education. The dance program develops disciplined, versatile artists through professional training in ballet, modern and jazz techniques as well as theory. Undergraduates can earn a B.F.A. in Dance Performance or a minor in Dance Performance. Students perform masterworks of the great choreographers of the 20th century as well as works by contemporary masters.
Texas Ballet Theater School (Fort Worth, TX) – Training the next generation of dancers and arts patrons is the mission of TBT Schools. Starting with the very young, we nurture aspiring artists to discover their greatest potential and to develop a love of movement, a passion for creativity and an appreciation for the beauty and athleticism of classical dance.
Tickets for DDF 2015 available August 1 through TICKETDFW: online at www.TICKETDFW.com, by phone (214) 871-5000, or in person at the box office 2353 Flora St, Dallas, TX 75201.