Founder Bhuvana Venkatraman on bringing the classical Indian dance style Baratanatyam to Dallas Dances this weekend.
Dallas — Bhuvana Venkatraman is well known in the Dallas dance community for her roles as an instructor, performer, and advocate of classical Indian dance. More specifically Baratanatyam, which, when broken down, means the dance that encompasses music, rhythm, and expressional dance or Abhinaya and strictly adheres to the Natyashastra or the scripture of classical Indian dance. Venkatraman created Tejas Dance in 2014 as a way to enrich and popularize Bharatanatyam and also identify and encourage talent in the field. Venkatraman says she and Chintan Patel (artistic director of Tejas Dance) were drawn to Baratanatyam because of its vibrancy and the spiritual beauty it has to offer.
“We believe that Baratanatyam is looking at things beyond their actual appearance,” Venkatraman says. “We consider it a medium for finding metaphors in every event in our lives and finding its deeper roots in spiritual elevation.”
The duo has performed for many local organizations, including the Indian Cultural Heritage Foundation, the City of Dallas Office of Cultural Affairs, the 2017 Dallas City Council inauguration, Karya Siddhi Hanuman Temple, Allen Radha Krishna Temple and Arathi School of Dance, just to name a few.
Tejas Dance will be presenting Ardhanareeshawara – Synchronization of Dichotomy at Dallas Dances this Saturday night. The work features music from Parshwanath Upadhye’s album Shambho. The dance will explore the age old question: Are men and women really different?
“This dance talks about the two aspects of our society—the masculine and the feminine. Thinking of both of them as separate energies is common, but the actual spiritual elevation lies in knowing and understanding that these two characteristics though so different are one and the same,” she says. “If we understand that these two are nothing but a complementing half of a major energy, we realize how futile our efforts are to prove one is superior to the other.”
“This dance gives out a strong message to think of someone’s quality and abilities beyond their gender and find beauty within everything,” she adds. “It’s a great way for adults to find themselves more elevated from the claws of society and an excellent opportunity for kids to learn important concepts that will mold them for a better future and eventually leading to a better society.”
Indique Dance Company co-founder Sarita Venkatraman talks about the city’s growing Indian dance community and partaking in the reinvigorated Dallas DanceFest this weekend.
Dallas — From far away the Dallas dancescape appears to consist mostly of ballet and modern dance companies, but if you look closer there are also several cultural dance groups pushing their way to the forefront, including classical Indian dance group Indique Dance Company. Formed in 2008 by Sarita Venkatraman, Shalini Varghese, Latha Shrivasta, Anu Sury, Kruti Patel, Bhuvana Venkatraman and Shilpi Mehta, Indique Dance Company fuses Indian classical, folk and modern dance styles with contemporary themes to create an enjoyable and enlightening cultural experience.
And through its collaboration with the Indian Cultural Heritage Foundation (ICHF), the company has had the chance to perform in some of the most popular venues in the Dallas Arts Districts, including Klyde Warren Park, the Crow Collection of Asian Art and Dallas City Performance Hall. “We are so thankful for all the opportunities Dallas has provided for Indique,” Venkatraman says. “Over the last six years we have been welcomed by both Indian and non-Indian audiences which has just been incredible.”
For Venkatraman dance has always been a calling. “Growing up in India my Dad was really into Indian classical music so I was exposed to the arts at a very young age. I joined a dance school in Mumbai at the age of 10 and have been dancing ever since.” Under the tutelage of Guru Shri Mani, Venkatraman began her Bharatanatyam dance training and after a couple of years moved on to learn Kathak from Smt. Guru Asha Joglekar. “In Sanskrit, guru means teacher and becoming a teacher is more of a calling than a profession. A teacher guides a student towards a margam or path. Some students choose to perform an Arangetram, also known as ascending the stage, which should not be considered a graduation performance but rather a beginning.”
Even moving to Dallas in 1995 to work on her doctorate in Physics at the University of Texas at Dallas couldn’t deter Venkatraman from continuing her Bharatanatyam training. Taking a friend’s suggestion Venkatraman went to take class at Arathi School of Dance where she met Guru Smt. Revathi Satyu. “My Guru Revathi Satyu is an amazing individual. As a guru she has taught me to love and appreciate the art not just as a student but also as a teacher. She is extremely patient, always smiling and most importantly always willing to share the art wholeheartedly.” Venkatraman has been teaching at Arathi for several years and her students have performed throughout the DFW area.
Venkatraman adds that if it wasn’t for Satyu Dallas audiences would know very little about Indian dance and the Indian culture. “Revathi is a pioneer in bringing the art of Bharatanatyam to Dallas. She started the Arathi School of Dance in Dallas in 1980 and has graduated over a 100 students. She has been responsible for spreading the awareness of Indian classical dance among Indian and non-Indian audiences. Through workshops, presentations and performances she continues to touch more and more people in the DFW metroplex.”
Since its conception, Indique Dance Company has presented several productions, including Roots, Maa: The Many faces of Motherhood and Jeeva: Synergy in Nature. The company will present a dance from Jeeva: Synergy in Nature called Thillana at the inaugural Dallas DanceFest happening this weekend at DCPH. The three-day event is being put on by the Dance Council of North Texas. Choreographed by Shalini Varghese and Bhuvana Venkatraman with music by Indian Rock band AGAM, Thillana features quick foot work, complex rhythms and intricate body poses. “Thillana is a classical Indian dance that has no storytelling. It’s a very happy, brisk dance that involves a lot of complex foot work and body movements.”
And while Dallas DanceFest will be the first time for many local dance companies to perform in the two-year-old City Performance Hall, that is not the case for Indique Dance Company who just performed there two weeks ago. “The DCPH is one of our favorite in-door performance spaces. The intimate setting is something we really enjoy. It makes it easier for us to have a conversation with the audience.”
» Indique Dance Company will perform at the Friday night showcase, 8 p.m. Aug. 29, at Dallas City Performance Hall. The other companies performing Friday are: Dallas Ballet Company, Ewert & Company, Rhythmic Souls, Dallas Black Dance Theatre II, Dark Circles Contemporary Dance, Texas Ballet Theater, Southern Methodist University Meadows Dance Ensemble, Dallas Black Dance Theatre.
» Companies performing Saturday are: Chamberlain Performing Arts, Chado Danse, Houston METdance, Avant Chamber Ballet, Booker T. Washington High School for the Performing and Visual Arts Rep I and II companies, Tarrant County College Movers Unlimited, Mejia Ballet International, Bruce Wood Dance Project
» The Dance Council Honors are Sunday at 2 p.m., honoring Nita Braun, Ann Briggs-Cutaia and Joe Cutaia, Buster Cooper, Dylis Croman, Suzie Jary and Beth Wortley, with performances by Ballet Ensemble of Texas, Bruce Wood Dance Project and 2014 Dance Council Scholarship Recipients.