Tag Archives: Marlen Alimanov

Avant Chamber Ballet: Morphoses

Transforming Ballet

Avant Chamber Ballet kicks off its season with a triple bill featuring Christopher Wheeldon’s Morphoses and two works by Katie Cooper at Moody Performance Hall.

Photo: Dickie Hill
Avant Chamber Ballet presents Morphoses

 

Dallas — It has been a busy summer for Avant Chamber Ballet (ACB). In addition to preparing for its 2019-20 season, which kicks off with Morphoses Sept. 7-8 at Moody Performance Hall, the company also moved into its own studio space in the Dallas Design District in July. ACB Artistic Director Katie Cooper says that having their own space has been transformative for the company.

In previous years, Cooper says that the company would not have been able to put on a fall show because of the limits of renting or being lent space owned by ballet schools. “We had to wait till summer intensives and summer classes were over for us to have daytime hours.” This meant either rushing to put a performance together in late September or competing with a busy October arts month.

She adds, “So for us to find this weekend, and it worked for everyone involved, including musicians and everything, I am super happy and lucky that everything aligned for our fall show.”

Even though the company is heading into its seventh full season, Cooper says that in many ways this feels like their first year as a real company. Cooper explains, “We’ve transitioned to paying the dancers weekly, which is huge. And it makes sense for the dancers be paid weekly because every week that they’re working is actually a good work week now that we have a home.”

This weekend’s triple bill includes Christopher Wheeldon’s Morphoses, Cooper’s Sisterhood and the world premiere of Cooper’s Brahms Trio.

Regarding the program, Cooper says, “It feels like my miracle repertory because there was so many different puzzle pieces that had to come together and I am just so excited about it.”

One of these puzzle pieces was when the schedules of musicians Alexander Kerr (Dallas Symphony Orchestra Concertmaster), David Cooper (ACB Musical Director and Chicago Symphony Orchestra Principal Horn and Cooper’s husband) and Fei-Fei Dong (international piano soloist) aligned so they could perform alongside ACB in Cooper’s Brahms Trio, which is named after the work composed by Johannes Brahms.

Cooper says that she has always wanted to choreograph to the Brahms Trio and describes the music as very danceable, beautiful and romantic. She also says she wanted to do the classical music justice by only using classical choreography.

“I really wanted to do it well because it is a very classical piece of music and classical ballet,” Cooper says about the choreography for the piece. “And unless you do classical ballet right then it’s not good. It’s almost easier to pull off something really contemporary and new because when it’s classical it has to be well-rehearsed, interesting and clean.”

She adds, “The choreography has to be really good because there’s no bells and whistles or quirkiness that’s going to keep the audience’s attention. It really has to be beautiful, musical and interesting in its purity and the reflection of the music.”

Also on the program is Wheeldon’s Morphoses. As Cooper proudly states, ACB is only the third ballet company to perform the work after New York City Ballet and Washington Ballet. For those unfamiliar with the ballet, Morphoses is a complex and athletic ballet for four dancers set to György Ligeti’s String Quartet No. 1. ACB’s cast includes Juliann McAloon, Kara Zimmerman, Alexander Akulov and Marlen Alimanov. The music will also be performed live by Cezanne Quartet.

Rounding out the evening is Cooper’s Sisterhood, which the company premiered last May. The work features music by composer Quinn Mason and is a nice departure from Cooper’s classical roots. Instead of tutus and pointe shoes the dancers perform in trendy sportswear and sneakers.

When asked about these particular choices Cooper says, “I wanted to challenge myself with something different with the sneakers and clothing. Sneaker ballets are such a specific modern American thing. Just think of Jerome Robbins and Justin Peck does a lot of them now. I just wanted to explore something new, and that music I just loved.”

Cooper adds that putting Sisterhood on this program just made sense because it creates a nice balance with the other works. “The three ballets are so incredibly different and that’s what you always hope for in a triple bill. That they all have their own internal world and they’re all radically different.”

Looking back on the last several years Cooper says the company has really developed into what she wanted. “I always said I wanted a company that I would have wanted to dance to in. That every show there’s good stuff that’s fulfilling for the artists both physically, mentally and emotionally.”

“To me, being able to present this season that we have going is really finally the culmination of a lot of years of work.”

>This preview was originally posted on TheaterJones.com.

 

Preview: Ballet Frontier of Texas’ 2019 Director’s Choice

Dancing Cowgirl

Company dancer Elizabeth Villarreal on her roles in Rodeo and Bamboo Flute Concerto, part of Ballet Frontier of Texas’ Director’s Choice this Saturday.
Elizabeth Villarreal. Photo: Courtesy of Ballet Frontier of Texas

Fort Worth — Like most aspiring ballerinas Elizabeth Villarreal fell in love with ballet at a very young age. She was put in her first dance class at the age of three, and 15 years later she’s still passionate about the art form. A Fort Worth native, Villarreal has spent the last 10 years training with Ballet Center of Fort Worth, under the tutelage of Chung-Lin and Enrica Tseng, and is currently celebrating her eighth season with Ballet Frontier of Texas.

“They are amazing and worked with me so well and took the time to know me and my needs,” Villarreal says about her training at Ballet Center of Fort Worth. “They knew what I needed to grow and therefore I never felt like I needed to leave.”

(Photo: Ballet Frontier of Texas
Elizabeth Villarreal and Marlen Alimanov)

Villarreal has had the fortune of performing in all of BFT’s productions with some of her favorite roles being that of the Dew Drop Fairy, Lead Arabian, Flowers and Snow Queen in The Nutcracker as well as Chung-Lin Tseng’s Variation on a Rococo Theme and Roy Tobias’ Mozart K379. In her spare time Villarreal enjoys teaching and is currently on the ballet faculty at Ballet Center of Fort Worth. The 19-year-old also plans on going to school to become a physical therapist.

“I spent a lot of time in physical therapy for my own injuries, and it just really seemed like something that would work for me because I like to be moving around and active,” Villarreal says about what draws her to the field of physical therapy. “I also like the idea of helping younger dancers really focus on their injuries and how to properly strengthen their bodies.”

This Saturday Villarreal will be performing in BFT’s Director’s Choice at I.M. Terrell Academy in Fort Worth. She will be performing a solo and pas de deux with Marlen Alimanov in Chung-Lin Tseng’s Bamboo Flute Concerto as well as portraying the main cowgirl in his rendition of Rodeo. The program also includes performances by Dallas-based dance companies: Dark Circles Contemporary Dance and DBDT: Encore!

“It’s a lot of fun and super relatable,” Villarreal says about dancing in Rodeo. “I feel like it’s more of a coming of age story for this young cowgirl who doesn’t quite fit in and is just figuring herself out and where she belongs.” She adds, “I love all of the choreography and there’s lots of laughs in it and it’s really nice to be able to push past my own comfort zone to play the cowgirl.”

Regarding the show’s lineup BFT’s Co-director Enrica Tseng says, “The dancers are challenged in multiple ways with style and technique. They will be dancing neo-classical choreography to classical Chinese music, a contemporary work by Lee Wei Chao and Rodeo, which is a short story ballet composed by Aaron Copland. So three very different pieces.”

And as for the guest companies that will be performing Enrica Tseng says, “The guest companies bring a different variety of styles and techniques, which makes the performance of Director’s Choice very versatile. Both companies are not local to the city of Fort Worth and we like the fact that this will give an opportunity to the Fort Worth audience to watch them perform.”

From a dancer’s perspective Villarreal says being around these dance companies gives her and her co-workers an opportunity to see how they work and how they encourage and support each other while they’re dancing. She adds, “It’s also nice to be exposed to these different kinds of pieces because it’s not classical ballet and it’s not just neo-classical. It’s a very different kind of contemporary style and they are touching on so many different subjects through their dancing. It’s really amazing to get to watch and learn from them.”

This preview was originally posted on TheaterJones.com.