Tag Archives: Mikey Morado

Preview: Dark Circles Contemporary Dance’s Winter Series

Out of this World

Dark Circles Contemporary Dance aims to resemble alien rock stars in Mark Caserta and Mikey Morado’s new work Dregs, part of the company’s Winter Series at WaterTower Theatre.

DCCD rehearses Dregs. Photo: Brian Kenny

Addison — “An alien dark underbelly vibe, but with a gentle tone,” is how Mark Caserta describes the mood of Dregs, a new piece he and fellow choreographer and boyfriend Mikey Morado have created for Dark Circles Contemporary Dance’s (DCCD) Winter Series, which boosts works made by queer choreographers centering on gay identity in America. The program will also feature Eoghan Dillon’s Boys Are and Joshua L. Peugh’s Bud, which he did in collaboration with multimedia artist Brian Kenny. The performance will be held Jan. 24-27 at Addison Theatre Center, DCCD’s new home for 2019 thanks to its new partnership with WaterTower Theatre.

“It’s quite gender confusing, but very sexy,” Caserta says about the approximately 22-minute work, which includes an original score by Pittsburgh-based slowdanger whom he says mixed the track in the studio while the dancers worked. “It’s alien and out there, but also has a relatable vibe.”

As for the choreography in the piece Morado says, “We like to work with images that are more chic and simplistic and less confetti and more latex. So, what we made at the end of the day was a very alien world that has its own rules and doesn’t really operate within this 2019 America vibe.”

Morado and Caserta are both products of reputable dance institutions. Morado received a BFA in dance at Marymount Manhattan College before joining Sidra Bell Dance New York in 2013. Caserta trained at the Ailey School and graduated from the University of the Arts with a BFA in ballet performance. He has danced with Eleone Dance Theatre, Complexions Contemporary Ballet, Les Ballets Jazz De Montreal and Camille A. Brown + Dancers.

Mikey Morado in Mark Caserta’s Good Boy. Photo: Matthew Caserta
The couple met via social media and began collaborating with each other soon after. They were living and working in New York City when they decided to move to Dallas to work for Christy Wolverton-Ryzman at Dance Industry Performing Arts Center in Plano, in 2015.

“I have known of Dance Industry since my time at Complexions,” Caserta says. “The kids would come to New York City to attend workshops, and through them I developed a relationship with Christy and Jamie Anderson. They had offered me a job a few years before, but I was working, so it wasn’t until 2015 when Mikey and I were looking for a change that I asked them if the offer still stood and we moved to Dallas.”

Morado says that his relationship with Dance Industry didn’t start until after the couple had made their decision to move. “I had never met either of them, but we came out in March to teach and see what the vibe was here and Jamie and Christy picked us up from the airport and the second we got in the car with them there was an instantaneous certainty that we belong here. So, they brought me on and gave me basically the same amount of role that Mark has in the studio.”

It was about a year later when Wolverton-Ryzman handed over the reins of the Thriving Artist Project to Morado and Caserta. “This was something she had started the year prior to hiring us,” Morado says. “It was a small scale project and really more about her connecting with the kids and giving them professional advice.”

He continues, “I think she knew she wanted to amp up the program and that she wanted to do something that would extend beyond the walls of Dance Industry in a very real and practical concert dance sense. So her bringing Mark and I on, she knew that she would be well-connected to the current dance world that is still happening in New York and all over the world.”

So far Morado and Caserta have been living up this promise as evident by the list of names they have on the Thriving Artist Project’s event calendar online. The list includes high end choreographers such as Sidra Bell of Sidra Bell Dance New York, Jonathan Alsberry of Hubbard Street Dance Chicago, Micaela Taylor of TL Collective and Christie Partelow of Nederlands Dans Theater.

When I brought up that these are names you typically associate with local dance institutions such as Booker T. Washington High School for the Performing and Visual Arts Morado replies, “There are a lot of shiny and glitzy things in Dallas and particularly around Booker T. and so it’s very easy for that to be considered the mecca of ‘shiny dance things,’ but I think it’s really meaningful and impactful for these kids that Mark and I work with that we work in a way that is very humble and we choose to work with artists who reflect that humility.”

He adds, “What sets us apart as individuals, but also as a couple is our level of consideration and really making sure that the quality and connection is genuine. That it’s never forced and we work with artists who we truly support.”

It was through the Thriving Artist Project where Morado and Caserta meet Peugh who was at the couple’s first performance back in 2016.  “He was super complimentary and we clicked with him right away,” Morado says.

“It was such a bold and loving move for him to reach out to us,” Caserta says. “He is a smart businessman and has become a great friend.”

Mark Caserta. Photo: Matthew Caserta
The couple met via social media and began collaborating with each other soon after. They were living and working in New York City when they decided to move to Dallas to work for Christy Wolverton-Ryzman at Dance Industry Performing Arts Center in Plano, in 2015.

The dance duo also had nothing but nice things to say about their time in the studio with the DCCD dancers. “We were super inspired by the dancers and just by that particular group that is with Dark Circles right now,” Morado says. “They have such a warm chemistry among them and the majority of them identity as gay or queer themselves, and I think particularly being in Dallas and connecting with people like that has a bit deeper of a ripple than it would in a place like New York because there is less of a demographic there for that.”

While discussing the creative process for Dregs, Morado says it was done in reverse order to what people generally consider normal. So, instead of giving the dancers specific movement phrases or specific motifs, he says they generated a lot of the movement based off of the tasks they had the dancers doing such as free writing and coming up with their own gesture movements, which they later combined into collaborative group phrases.

Morado explains, “The experience for them is very personal, and rather than giving them the details and having them form the piece around that we kind of had them form the piece and then said ‘oh that is a detail we want to put in.’” He adds, “We also made an effort to highlight each dancer individually and to not stick with one soloist. We wanted to equalize everyone and especially with a group this talented we would be short changing ourselves if we didn’t individualize the piece for them.”

For this work, DCCD has also paired with Youth First, a program of Resource Center and one of the only youth centers in the North Texas area aimed at meeting the needs of LGBTQ youth ages 12-18. The company has been teaching masterclasses for the teens which explore identity and self-expression through movement.

This preview was originally posted on TheaterJones.com.

 

 

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Preview: Wanderlust Dance Project III

Wandering Home

Gabriel Speiller performing at Jacob’s Pillow. Photo: Fermaint Photography

The third installment of Wanderlust Dance Project features new works by home grown talent at the Marshall Family Performing Arts Center on Saturday.

Dallas — Looking over the lineup for this year’s Wanderlust Dance Project (WDP) you can’t help but notice the number of local choreographers that will be presenting work at the Marshall Family Performing Arts Center at the Greenhill School in Addison this Saturday. Come to find out the local programming was a deliberate move by Wanderlust Founder Addison Holmes to support this year’s title, Wanderlust Dance Project III: Homecoming. “Our first year was New Horizons as our first venture, second was Explorations as we brought in a lot of outside choreographers for our dancers and this year we really wanted to hone in on our DFW roots with Homecoming,” Holmes says. The DFW dance scene is stronger than ever, and as a Dallas native myself I couldn’t be prouder.”

The choreographers include a couple of familiar faces such as Hailey von Schlehenried, Gabriel Speiller, Mark Caserta and Mikey Morado as well as some fresh faces, including Stephanie Troyak, Chad Vaught and Todd Baker.

Von Schlehenried recently participated in the premiere of AKA: Ballet and has also presented work at Dallas DanceFest, renamed Dallas Dances, and Avant Chamber Ballet’s 2017 Women’s Choreography Project. Viewers are used to seeing Speiller on stage with Bruce Wood Dance so, it will be interesting to see how he transitions from one role to the other. Caserta and Morado moved to Dallas in 2015 to head up The Thriving Artist Project and are currently working with Dark Circles Contemporary Dance. Troyak is a Booker T. Washington High School for the Performing and Visual Arts (BTWHSPVA) graduate currently dancing with Tanztheater Wuppertal Pina Bausch. Baker was in the news last year as one of five male dancers from Booker T. to be accepted into The Juilliard School. And then there is Vaught, who is not from Dallas, but is currently dancing with DBDT: Encore!

From talking with a few of the choreographers I can tell you that the performance will be blend of contemporary, modern and classical movements arranged in small and large groups with a couple of pas deux’s mixed in. Themes vary from abstract to more story-based pieces that explore a wide range of emotions and current events.

Gabriel Speiller will be unveiling a new work, Unapologetic, which he describes as athletic, musical and sprinkled with intricate partnering. The piece features 16 professional and pre-professional dancers and was originally created for the Frank Sinatra School of the Arts in Queens, New York. Regarding his creative process Speiller says, “As a young choreographers I’m still exploring my choreographic voice by trying different approaches to the creation process, whether that be how I generate movement or how I translate what’s going on in my head to the dancers I’m working with.”

Whereas Speiller’s work focuses on athleticism and musicality, Stephanie Troyak’s piece is more focused on mood and setting. “I’m visualizing a dream-like world, one where we cannot tell if it’s real or if it’s a dream until perhaps later on when a situation brings out different sides of human connection whether it be love, betrayal, hope etc. Maybe a little bit apocalyptic or I imagine the setting a little bit like a flood both in the physical sense and the emotional sense, searching for land or light and consuming the mind and body.” Troyak adds, “I always love to blur the lines between reality and dreams and uncover a deeper layer of the human condition that I always find the most beautiful to find those dark or dirty places within. And within this dream state I hope to also unveil moments of small deaths or small victories or maybe it’s a memory or premonition.”

Another local talent presenting work at Wanderlust this year is Hailey von Schlehenried. She has created a pas de deux, which will beperformed by local dancers Adrian Aquirre and Diana Crowder to an excerpt of Ezio Bosso’s Seasong 1 to 4 and Other Little Stories. She describes the piece as classical, but with a contemporary vibe. “You will definitely see some contemporary lines, but also some classical movements and the partnering, which all fit into this storyline of a love left behind,” she says. When discussing the dancers and her partnering in the piece von Schlehenried says “Adrian and Diana work so lovely together and have such a strong connection when dancing this piece. They took to the choreography and the partnering quickly and I am excited to see the final product.”

And as far as the impact this event is making on the local dance community Speiller says, “WDP is an amazing project to be involved in. Not only does it give professional dancers like myself an opportunity to continue working over the summer, it’s giving the DFW community the opportunity to see new works by local and national choreographers that is being performed by home grown talent.”

This preview was originally posted on TheaterJones.com.