Tag Archives: Mistletoe Magic

Free Dance Performances at NorthPark!

mistletoe magic
Austin Sora and David Escoto in Bruce Wood Dance’s Mistletoe Magic. Photo: Lynn Lane

Around the Holidays the NorthPark Mall in Dallas turns into a zoo thanks to the upscale mall’s unique holiday attractions which include Santa Claus, the trains and Sights and Sounds of the Season, which is a FREE performance series featuring the musical and movement stylings of schools, churches, synagogues and community and professional dance troupes from around North Texas. The performance series runs Nov. 28 through Dec. 22nd and the Dillards’ Court and North Court and again this is FREE!!!

With two little ones at home I am well versed with the trains and Santa Claus attractions at the mall, but I am a little embarrassed to admit that I have never stopped to watch any of the dance performances presented by the many well-known professional and pre-professional companies in the area. That is going to change this year especially since the only way to see Bruce Wood Dance’s Mistletoe Magic will be through this performance series. (Bruce Wood Dance performs tomorrow at 1pm in the North Court area.)

Looking at the performance line up online, I am amazed with the number of dance companies both professional and pre-professional that will be presenting in these 30-60 time slots as well as the variety of movement styles that will be showcased. I mean this Saturday alone starting at 10am you can catch some of the most popular names in the Dallas dance community, including 8&1 Dance Company, Anita N. Martinez Ballet Folklorico, Booker T. Washington High School for the Performing and Visual Arts, Bruce Wood Dance, Dark Circles Contemporary Dance, Danielle Georgiou Dance Group and Contemporary Ballet Dallas.

les fairies
Dark Circles Contemporary Dance in Les Fairies. Photo: Chadi El-khoury

After checking in with some of these companies on social media, I can tell you that Dark Circles Contemporary Dance will perform Joshua L. Peugh’s Les Fairies as well as a section of a new work that Peugh is planning to introduce in the spring. OK! that alone has me hooked! Danielle Georgiou Dance Group will also give us a sneak peek of a new creation and perform Colby Calhoun’s Bedtime Stories. And Contemporary Ballet Dallas will perform to some holiday classics along with the school’s student ballet, tap and hip hop youth ensembles.

bedtime stories
Colby Calhoun’s Bedtime Stories. Photo courtesy of Danielle Georgiou Dance Group

And while I have already included a link to the full line up, I wanted to pull out some special dates for all you dance lovers out there so you can go ahead and mark your calendars:

Dec. 2

Dallas Black Dance Theatre Academy Performance Ensembles

Dec. 5

The Hockaday School Dance Department

Dec. 9

Texas Ballet Theater Dallas School

Collin County Ballet Theatre

Chamberlain School of Ballet

Avant Chamber Ballet

Dec. 16

The Ballet Conservatory

Bombshell Dance Project

Dallas Ballet Company

I hope to see you all there!!! Get there early to find a parking spot and claim a front row seat!

 

 

 

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Review: Mistletoe Magic, Bruce Wood Dance Project

Bruce Wood Dance Project. Photo: Brian Guilliaux
Bruce Wood Dance Project. Photo: Brian Guilliaux

Dallas-based modern dance choreographer Bruce Wood casts a spell like only he can.

While nearly every other dance company is offering The Nutcracker as a holiday fundraiser, leave it to Bruce Wood to come up with a sophisticated twist on warming up the Christmas season.

Wood successfully staged a one-night only, cabaret-style performance called Mistletoe Magic on Dec. 14 at the historic Fairmont Hotel in downtown Dallas.

He smartly captured the supper-club vibe, not only by keeping the show to an hour but serving up a candle-lit dinner as well. And he keenly took advantage of Broadway talent that arrived in North Texas, along with dancers from his Bruce Wood Dance Project collaborative.

The show featured six of Wood’s dancers, and Broadway stars Elizabeth Stanley (in the Tony-award winning Company) and Jason Graae (A Grand Night for SingingFalsettosStardustSnoopy! and Do Black Patent Leather Shoes Really Reflect Up?) dancing and singing to holiday tunes.

Authenticity is what comes to mind when watching the dancers alongside Stanley and Graae and a five-piece band on the cozy stage in the hotel’s elegantly appointed Venetian Room. In such a confined space there was nowhere to hide. It was an ideal setting for Wood to reveal what’s currently considered his dream team: Joy Atkins Bollinger, Albert Drake, Harry Feril, Kimi Nikaidoh, Nycole Ray and Christopher Vo.

Bollinger and Nikaidoh both danced with Wood’s previous company. Drake and Feril, both SMU alumni, have performed with Wood for the last three seasons. Ray is a long-time Dallas Black Dance Theater dancer, while Vo, formerly with the Lar Lubovitch Dance Company and Twyla Tharp’s Come Fly With Me, performed in Season 2 of the NBC show SMASH.

Wood has a gift for taking dancers of all shapes, sizes ,and ethnicities and uniting them through movement. He constructs works in such a way where viewers see past these differences. He is a true artist in this sense. A perfect example was the trio the men danced to an orchestrated version of God Rest Ye Merry Gentlemen. Dressed in tuxes, shiny black dress shoes and bowler hats, Feril, Drake and Vo entertained with a series of slick hat moves, punctuated hand gestures, and Michael Jackson inspired pelvis thrusts. The dancers’ height differences disappeared as they lifted and caught one another as they glided across the stage.

As Stanley serenaded the group with ballads like The Very Thought of You and My Dear Acquaintance (A Happy New Year), the dancers sat in chairs, swaying and tapping their feet, completely engrossed in the moment.

Photo: Brian Guilliaux
Photo: Brian Guilliaux

Graae kept things light with The Twelve Days After ChristmasHappy Holidays and Let Yourself Go. The dancers accompanied him in a few of the songs including the silly, yet well-staged Let Yourself Go. All six dancers performed a series of wrist flaps, head bobs, shoulder shrugs and hip swivels with a smoothness that is signature Wood. Bollinger, Nikaidoh and Ray showed their sultry side as they skimmed the floor in a number of uninhibited partnering moves with Feril, Drake and Vo. The cannon leg crosses and drunken role play on the chairs at the end was quite clever and memorable.

Wood’s fascination with touch was evident in Have Yourself a Merry Little Christmas when, one by one, the dancers touched a shoulder or held hands, creating an unbreakable bond.  As the song’s lead lyrics echoed through the room, the group broke into pairs, the women placing their heads on the men’s shoulders as they slowly strolled back to their seats.

As the Bruce Wood Dance Project enters its fourth season, audiences hope to see more of his genuine and human movement, and more of these technically brilliant dancers.

This review was originally posted on WorldArtsToday.com.