Tag Archives: Pacific Northwest Ballet

Preview: LakeCities Ballet Theater’s Coppelia

Dancing Dolls

LakeCities Ballet Theatre serves up another kid-friendly ballet with Coppelia, featuring special guest Steven Loch at MCL Grand Theater in Lewsiville.

LakeCities Ballet Theatre Presents Coppelia. Photo: Nancy Loch Photography.

Lewisville — As I watched LakeCities Ballet Theatre (LBT) rehearse Act 1 of Coppelia Artistic Director Kelly Kilburn Lannin leaned over and whispered how this particular section of music always reminds her about the time their Franz injured himself mid-performance and Steven Loch, who was 12 at the time, was asked to step in and danced the final part of show perfectly.

Later, when I mentioned this story to Loch in the breakroom where we sat down to talk he laughed and says he gets acknowledged quite often for his ability to jump into roles at the last second—a skill that he says he learned from Lannin and her team at the Ballet Conservatory in Lewisville.

“There is so much supply and not enough demand so the high level of excellence gets even more exaggerated,” Loch says about what it takes today to become a professional ballet dancer. “You have to be the most valuable worker to have the best shot, and I think one of the great things about here is Kelly knew that from the beginning. She knew that if you want to make it as a dancer than you’re going to have to learn to do it all.”

Photo: Pacific Northwest Ballet
Steven Loch

He adds, “And also too, the standard that she puts on students are so high and you know have to hit those standards because there’s no forgiveness. Then, when you go the professional world you have good habits. You’re disciplined. You’re a good worker. You’re a professional and you’re a good human. And it’s actually surprising how valuable that is. And Kelly’s standard is such that even for understudies you have to be able to jump in and do it perfectly so that no one notices or you are going to be in trouble.”

But in the same breath Loch also says Lannin is very nurturing, which I saw firsthand during one of the company’s Coppelia rehearsals a couple of weeks ago. “She is so sweet and loving and gives so much of herself,” Loch says. “She gave me so much love and not only cared about me as a dancer, but also a person. She was my mentor growing up and she taught me everything in order to be ready for the professional world.”

After graduating from high school in 2009, Loch joined the professional program at Pacific Northwest Ballet (PNB). He joined the company in 2011 and was promoted to corps de ballet in 2012. He was promoted to soloist at the end of last season. Throughout his career with PNB Loch has returned home on numerous occasions to perform leading roles in LBT’s productions, including DraculaGiselleThe Nutcracker and Coppelia.

As for his reasons for returning, Loch says, “This place is my home and it has given me so much so I definitely want to return the favor.”

He continues, “I also get called in to do the leading roles, which when I was younger I didn’t get the opportunities to do. It also gives me more practice and experience in these roles so when I start performing lead roles in Seattle I will be more ready.”

Regarding his reaction to the news of his promotion last season, Loch says, “When I got promoted to soloist it was really satisfying because I had put so much work into it and to see the fruits of your labor turn in to something like this just felt really special.”

He adds, “As dancers we are all perfectionists so earning this title has also definitely given me more confidence.”

Watching Loch jump into rehearsal after just stepping off a plane I couldn’t help but wonder what he does to help prevent injury and illness. On this topic Loch says, “Recovery is so important so anything that can help me speed up recovery is great. I do cryotherapy. I have Norma Tec boots. I do a lot of stretching and roll out using a roller. I also do massage and work with this lady who does Trager Approach in addition to neuromuscular therapy.”

Of all the recovery methods that he uses Loch says the cryotherapy has been the most effective for him. “It’s so much more efficient than icing because you are put in such a cold environment that the blood goes to your core instead of your extremities. So it’s more nutrient rich, and it only takes three minutes, and you are able to move afterwards, so you can do it before working out or after working out. And it makes you recover three times faster than you normally would so, for me that has been a huge game changer.”

You can check out Loch in LakeCities Ballet Theatre’s rendition of Coppelia, March 29-31, at the Medical City of Lewisville Grand Theater in Lewisville.

This preview was originally posted on TheaterJones.com.

 

Advertisements

Review: LakeCities Ballet Theatre’s Dracula

This was the first ballet I brought my daughter to and she did great. She is 2 1/2 and sat through the whole first half. The second half was a little scary so my husband took her into the lobby. I recommend this show for anyone with little kids.

Photo: Nancy Loch
Photo: Nancy Loch

LakeCities Ballet Theatre sucks audiences in with brilliant dancing and dramatic special effects at its 10th annual Le Ballet de Dracula in Lewisville.

Lewisville — After a decade, it’s natural for a ballet to start to lose some of its luster. But that’s not the case with LakeCities Ballet Theatre‘s Halloween spook-tacular, Le Ballet de Dracula, which played to a sold-out crowd for the troupe’s 10th-anniversary show on Saturday at the Medical Center of Lewisville Grand Theatre.

Having seen this production many times before, I can honestly say the ballet gets visually and technically stronger every year thanks to Artistic Director Kelly Kilburn Lannin’s fine choreographic detailing and continous production enhancements, including set designs, costuming and special effects that always seem to bring audiences to the edge of their seats.

The show’s popularity can also be attributed to Tom Rutherford’s well-conceived narrative and creative mash-up of characters including Ratcliff (the quirky sidekick), weolas (batlike creatures) and a dozen vampire brides.

Loosely based on Bram Stoker’s novel Dracula, LBT’s version illustrates the love triangle between Aurelia, Marius and Dracula in two well-balanced acts. In the first half the villagers, gypsies and Romanians all come together to celebrate the engagement of Aurelia (Carley Denton) and Marius (guest artist Steven Loch of Pacific Northwest Ballet).

The company members demonstrated great animation and agility in the specialized group dances, which featured various movement styles, including soft-shoe ballet, pointe, jazz, modern and even some folk dance. The Romanian dancers’ rhythmic foot stomps and traveling shuffle steps were accompanied by simple arm gestures and crisp formation changes.

The gypsies, led by Denise Clarkston, used an array of hip isolations and open-armed twirling phrases to depict their rebellious nature. Aurelia’s friends (Chloe Davis, Kristina Lorelli, Carly Greene, Julie Fenske, Madeline Hanly and Julia Tiller) proved why LBT is one of the most sought after pre-professional ballet companies in the Dallas area with their exacting pointe work, beautiful musicality and commanding stage presence.

One of the newer additions to the show was a musically enchanting pas de deux with company member Michelle Lawyer and guest artist Dan Westfield pf Ballet Frontier of Texas. Lawyer’s lithe frame and nimble point work balanced out Westfield’s wider frame and explosive jump sequences.

In the partnering sections each pulled from the other’s strengths and suddenly Lawyer’s sautés were as high as Westfield’s, and his arms placement and fourth lunges were just as soft as Lawyer’s. The exchanging of the tambourine throughout the pas de duex was perfectly timed and added a new musical layer to the dance.

Carley Denton’s role as Aurelia was well-earned. Her flexibility and stamina has improved over the last year, demonstrated through her various sustained body positions and lightning-quick pique turns. She has also found the key to releasing the tension in her shoulders with the help of certain breathing techniques.

Steven Loch continues to breathe new life into the role of Marius with his limitless energy and technical fortitude. The couple’s pas de deux was a lovely display of unending lines and counterbalance poses topped with Denton’s six continuous pirouettes into a luxurious body dip at the end.

The maypole dance that Lannin incorporated about six years ago remains one of the highlights of the first half. In this scene 12 dancers frolicked around a 15-foot pole, creating an intricate weaving pattern with the brightly colored streamers they carried. Rhythmic clapping accompanied the dancers’ spritely skips and gallop steps.

The mood changed drastically when Dracula (Shannon Beacham) and his minion Ratcliff (Asia Waters) arrived to lure Aurelia away from her family and Marius. Over the years Beacham has perfected the role of Dracula, from his menacing walks and nuanced cape flicks to the overly dramatic facial expressions.

Smoke machines and special lighting techniques succeeded in creating the illusion of Dracula appearing out of thin air. The dim lighting, ominous music and ghostly appearance of Dracula’s brides in the second half evenly matched the dancers’ loose, hanging arms, soundless bourrees across the floor and vacant expressions.

Julia Tiller (Marcela) set the tone at the beginning of the scene with her solid pointe work and expansive arm-gesturing. The fight scene between Loch and Beacham started off spotty with some lengthy pauses between their physical exchanges, but they quickly found their rhythm. Mindful of the young ones in the audience, the really heavy moments were lightened by Waters’ constant wandering and clumsy interactions with the brides.

Wildly creative, meticulously produced and cleverly choreographed, LakeCities Ballet Theatre’s Le Ballet de Dracula is sure to continue entertaining audiences for the next 10 years.

This review was originally posted on TheaterJones.com.